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3 Total Pages 2 Contributing Members

Program for Cafe Zanzibar [2]

Part of the music domain includes nightlife and nightclubs, which were often the centerpiece of musical life during the first half of the twentieth century. Sisters Laura “Laurie” Cathrell and Sally J. Cathrell Jr. were both involved in New York’s nightlife scene, one as a showgirl and the other as a publisher of magazines featuring famous musicians and dancers of the time. Laurie performed in many famous nightclubs throughout America including Club Plantation and the Cotton Club. She is featured in many of the photographs and magazines of this collection. Sally followed in the footsteps of their parents, and made a career in publishing and created “The Show-Down” magazine, which was devoted to nightclub life and entertainment. In volume 1, number 1, “The Showdown” magazine is described as "a monthly publication, which caters to theatricals exclusively." The magazine featured night club reviews, show reviews, and features on performers. The magazine mainly covered New York, Indianapolis, Chicago, Denver, Detroit, Kansas City, and St. Louis. Help us transcribe the photographs, magazines, and programs and discover the many famous musicians and dancers featured.

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100% Complete

4 Total Pages 3 Contributing Members

Program for Club Ebony

Part of the music domain includes nightlife and nightclubs, which were often the centerpiece of musical life during the first half of the twentieth century. Sisters Laura “Laurie” Cathrell and Sally J. Cathrell Jr. were both involved in New York’s nightlife scene, one as a showgirl and the other as a publisher of magazines featuring famous musicians and dancers of the time. Laurie performed in many famous nightclubs throughout America including Club Plantation and the Cotton Club. She is featured in many of the photographs and magazines of this collection. Sally followed in the footsteps of their parents, and made a career in publishing and created “The Show-Down” magazine, which was devoted to nightclub life and entertainment. In volume 1, number 1, “The Showdown” magazine is described as "a monthly publication, which caters to theatricals exclusively." The magazine featured night club reviews, show reviews, and features on performers. The magazine mainly covered New York, Indianapolis, Chicago, Denver, Detroit, Kansas City, and St. Louis. Help us transcribe the photographs, magazines, and programs and discover the many famous musicians and dancers featured.

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100% Complete

4 Total Pages 1 Contributing Members

Program for Club Ebony [2]

Part of the music domain includes nightlife and nightclubs, which were often the centerpiece of musical life during the first half of the twentieth century. Sisters Laura “Laurie” Cathrell and Sally J. Cathrell Jr. were both involved in New York’s nightlife scene, one as a showgirl and the other as a publisher of magazines featuring famous musicians and dancers of the time. Laurie performed in many famous nightclubs throughout America including Club Plantation and the Cotton Club. She is featured in many of the photographs and magazines of this collection. Sally followed in the footsteps of their parents, and made a career in publishing and created “The Show-Down” magazine, which was devoted to nightclub life and entertainment. In volume 1, number 1, “The Showdown” magazine is described as "a monthly publication, which caters to theatricals exclusively." The magazine featured night club reviews, show reviews, and features on performers. The magazine mainly covered New York, Indianapolis, Chicago, Denver, Detroit, Kansas City, and St. Louis. Help us transcribe the photographs, magazines, and programs and discover the many famous musicians and dancers featured.

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100% Complete

6 Total Pages 4 Contributing Members

Program for Liz White's presentation of Othello, 1980

Martha’s Vineyard is known for its leisure activities and summers. From the 1940s to the 1980s, the Shearer Summer Theater, an African American theater company, produced shows for locals and tourists alike. The Shearer Summer Theater was the brainchild of Elizabeth “Liz” White, a dresser on Broadway, who directed, and even bought a two story house to act as the stage in the 1950s for the plays. In the 1980s, White completed her first film, a presentation of Othello. Help us transcribe this program from a screening of Liz White’s presentation of Othello at Howard University.

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100% Complete

12 Total Pages 5 Contributing Members

Program for Memphis Bound

Part of the music domain includes nightlife and nightclubs, which were often the centerpiece of musical life during the first half of the twentieth century. Sisters Laura “Laurie” Cathrell and Sally J. Cathrell Jr. were both involved in New York’s nightlife scene, one as a showgirl and the other as a publisher of magazines featuring famous musicians and dancers of the time. Laurie performed in many famous nightclubs throughout America including Club Plantation and the Cotton Club. She is featured in many of the photographs and magazines of this collection. Sally followed in the footsteps of their parents, and made a career in publishing and created “The Show-Down” magazine, which was devoted to nightclub life and entertainment. In volume 1, number 1, “The Showdown” magazine is described as "a monthly publication, which caters to theatricals exclusively." The magazine featured night club reviews, show reviews, and features on performers. The magazine mainly covered New York, Indianapolis, Chicago, Denver, Detroit, Kansas City, and St. Louis. Help us transcribe the photographs, magazines, and programs and discover the many famous musicians and dancers featured.

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100% Complete

2 Total Pages 3 Contributing Members

Program for Shearer Summer Theater's Production of Cooling Waters, 1948

Martha’s Vineyard is known for its leisure activities and summers. From the 1940s to the 1980s, the Shearer Summer Theater, an African American theater company, produced shows for locals and tourists alike. The Shearer Summer Theater was the brainchild of Elizabeth “Liz” White, a dresser on Broadway, who directed, and even bought a two story house to act as the stage in the 1950s for the plays. Help us transcribe this program from a from the Shearer Summer Theater’s production of Cooling Waters.

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100% Complete

2 Total Pages 4 Contributing Members

Program for Swing

During the segregation era, an independent industry dedicated to the production of “race movies” for African American audiences emerged in response to the exclusion of black artists from Hollywood and to counter the negative, stereotypical representations of African Americans in mainstream movies. Help us transcribe this program for the 1938 film "Swing" to learn more about films produced for black audiences in the 1930s.

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100% Complete

2 Total Pages 3 Contributing Members

Program for the Shearer Players' production of Angel Street

Martha’s Vineyard is known for its leisure activities and summers. From the 1940s to the 1980s, the Shearer Summer Theater, an African American theater company, produced shows for locals and tourists alike. The Shearer Summer Theater was the brainchild of Elizabeth “Liz” White, a dresser on Broadway, who directed, and even bought a two story house to act as the stage in the 1950s for the plays. Help us transcribe this program from a from the Shearer Summer Theater’s production of Angel Street.

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100% Complete

5 Total Pages 7 Contributing Members

Program for the Shearer Players' Production of Angel Street, 1951

Martha’s Vineyard is known for its leisure activities and summers. From the 1940s to the 1980s, the Shearer Summer Theater, an African American theater company, produced shows for locals and tourists alike. The Shearer Summer Theater was the brainchild of Elizabeth “Liz” White, a dresser on Broadway, who directed, and even bought a two story house to act as the stage in the 1950s for the plays. Help us transcribe this program from a from the Shearer Summer Theater’s production of Angel Street.

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100% Complete

4 Total Pages 5 Contributing Members

Program for The Women at Forest Neighborhood House, 1946

The Shearer Summer Theater was the brainchild of Elizabeth “Liz” White, a dresser on Broadway, who directed, and even bought a two story house to act as the stage in the 1950s for the plays s in Martha’s Vineyard. In 1946, Liz White staged The Women, at the Forest House in New York City.

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