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16 Total Pages 24 Contributing Members

1980 SMITHSONIAN FOLKLIFE FESTIVAL: AMERICAN TALKERS AUDIO LOG SHEETS

Audio documentation has played a crucial part in capturing the many stories, performances, exchanges, and demonstrations that have taken place on the National Mall as part of the Festival of American Folklife (now Smithsonian Folklife Festival). For each program, documentation volunteers generated detailed "class style" notes to accompany audio recordings which often include presenter and participant names, subject keywords, song titles, and brief descriptions of the events taking place in real time. These notes are often the richest (or only) source of information about who was present and provide key references for understanding and interpreting the recorded content. While the styles, formats, and spelling accuracy vary across logs, they nevertheless serve as fundamental link between what actually took place and what is documented in audio, photo, and, video formats. These log sheets refer to 1980 Festival of American Folklife program.

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65 Total Pages 48 Contributing Members

1980 SMITHSONIAN FOLKLIFE FESTIVAL: CARIBBEAN AMERICANS AUDIO LOG SHEETS

Audio documentation has played a crucial part in capturing the many stories, performances, exchanges, and demonstrations that have taken place on the National Mall as part of the Festival of American Folklife (now Smithsonian Folklife Festival). For each program, documentation volunteers generated detailed class style notes to accompany audio recordings which often include presenter and participant names, subject keywords, song titles, and brief descriptions of the events taking place in real time. These notes are often the richest (or only) source of information about who was present and provide key references for understanding and interpreting the recorded content. While the styles, formats, and spelling accuracy vary across logs, they nevertheless serve as fundamental link between what actually took place and what is documented in audio, photo, and, video formats. Caribbean contributions to American community life featured at the 1980 Festival thus included an impressive record of achievement and an infusion of cultural forms adding to the vitality and diversity of American life through the contributions of immigrant communities. The proliferation of the Caribbean festival of Carnival give to the internal unification of the Caribbean communities themselves in many North American cities. In addition, the Caribbean immigrant community contributed to the American scene in sports, religion, music, dance, literature, and the arts. More information about the program including participant names can be found here.

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47 Total Pages 67 Contributing Members

1980 SMITHSONIAN FOLKLIFE FESTIVAL: COMMUNITY ACTIVITIES AND FOOD PRESERVATION LOG SHEETS

Audio documentation has played a crucial part in capturing the many stories, performances, exchanges, and demonstrations that have taken place on the National Mall as part of the Festival of American Folklife (now Smithsonian Folklife Festival). For each program, documentation volunteers generated detailed "class style" notes to accompany audio recordings which often include presenter and participant names, subject keywords, song titles, and brief descriptions of the events taking place in real time. These notes are often the richest (or only) source of information about who was present and provide key references for understanding and interpreting the recorded content. While the styles, formats, and spelling accuracy vary across logs, they nevertheless serve as fundamental link between what actually took place and what is documented in audio, photo, and, video formats. 1980 Festival presentations included wine making, meat smoking, butter churning, canning, cane syrup making, and "found food" preparation, as well as a daily candy pull and workshops discussing the knowledge and lore of community-based food preservation activities.

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45 Total Pages 33 Contributing Members

1980 SMITHSONIAN FOLKLIFE FESTIVAL: FINNISH AMERICANS AUDIO LOG SHEETS

Audio documentation has played a crucial part in capturing the many stories, performances, exchanges, and demonstrations that have taken place on the National Mall as part of the Festival of American Folklife (now Smithsonian Folklife Festival). For each program, documentation volunteers generated detailed "class-style" notes to accompany audio recordings which often include presenter and participant names, subject keywords, song titles, and brief descriptions of the events taking place in real time. These notes are often the richest (or only) source of information about who was present and provide key references for understanding and interpreting the recorded content. While the styles, formats, and spelling accuracy vary across logs, they nevertheless serve as fundamental link between what actually took place and what is documented in audio, photo, and, video formats.

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52 Total Pages 43 Contributing Members

1980 SMITHSONIAN FOLKLIFE FESTIVAL: SOUTHEAST ASIAN AMERICANS AUDIO LOG SHEETS

Audio documentation has played a crucial part in capturing the many stories, performances, exchanges, and demonstrations that have taken place on the National Mall as part of the Festival of American Folklife (now Smithsonian Folklife Festival). For each program, documentation volunteers generated detailed "class style" notes to accompany audio recordings which often include presenter and participant names, subject keywords, song titles, and brief descriptions of the events taking place in real time. These notes are often the richest (or only) source of information about who was present and provide key references for understanding and interpreting the recorded content. While the styles, formats, and spelling accuracy vary across logs, they nevertheless serve as fundamental link between what actually took place and what is documented in audio, photo, and, video formats. The Southeast Asia Program of the 1980 Festival presented the traditional culture of immigrants from three mainland Southeast Asian countries: Khmer from Cambodia, Lao and Hmong from Laos, and Vietnamese. Wars and economic and political upheaval had recently made refugees of many people from these countries. At the Festival, participants could represent only a tiny fraction of the traditions that originated in Laos, Cambodia and Vietnam, and that were continually being brought to America. More information about the program including participant names can be found here.

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19 Total Pages 25 Contributing Members

1981 SMITHSONIAN FOLKLIFE FESTIVAL: ADOBE ARCHITECTURE AUDIO LOG SHEETS

Audio documentation has played a crucial part in capturing the many stories, performances, exchanges, and demonstrations that have taken place on the National Mall as part of the Festival of American Folklife (now Smithsonian Folklife Festival). For each program, documentation volunteers generated detailed "class style" notes to accompany audio recordings which often include presenter and participant names, subject keywords, song titles, and brief descriptions of the events taking place in real time. These notes are often the richest (or only) source of information about who was present and provide key references for understanding and interpreting the recorded content. While the styles, formats, and spelling accuracy vary across logs, they nevertheless serve as fundamental link between what actually took place and what is documented in audio, photo, and, video formats. The 1981 Festival program included demonstrations of building an adobe house and oven, making adobe bricks, cooking Southwestern Native American foods, and narrative sessions. More information about the program including participant names can be found here.

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69 Total Pages 23 Contributing Members

1981 Smithsonian Folklife Festival: Deaf Folklore Audio Log Sheets

Audio documentation has played a crucial part in capturing the many stories, performances, exchanges, and demonstrations that have taken place on the National Mall as part of the Festival of American Folklife (now Smithsonian Folklife Festival). For each program, documentation volunteers generated detailed “class style” notes to accompany audio recordings which often include presenter and participant names, subject keywords, song titles, and brief descriptions of the events taking place in real time. These notes are often the richest (or only) source of information about who was present and provide key references for understanding and interpreting the recorded content. While the styles, formats, and spelling accuracy vary across logs, they nevertheless serve as fundamental link between what actually took place and what is documented in audio, photo, and, video formats. For Folklore of the Deaf program material, some logs contain information not spoken through the public address system but were in fact signed and interpreted to the visitors in the audience.

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70 Total Pages 65 Contributing Members

1981 SMITHSONIAN FOLKLIFE FESTIVAL: NORTHEASTERN MUSIC AND DANCE AUDIO LOG SHEETS

Audio documentation has played a crucial part in capturing the many stories, performances, exchanges, and demonstrations that have taken place on the National Mall as part of the Festival of American Folklife (now Smithsonian Folklife Festival). For each program, documentation volunteers generated detailed "class style" notes to accompany audio recordings which often include presenter and participant names, subject keywords, song titles, and brief descriptions of the events taking place in real time. These notes are often the richest (or only) source of information about who was present and provide key references for understanding and interpreting the recorded content. While the styles, formats, and spelling accuracy vary across logs, they nevertheless serve as fundamental link between what actually took place and what is documented in audio, photo, and, video formats. New England musicians and dancers presented their traditions daily and in evening concerts at the 1981 Festival, inviting audience enjoyment and participation. More information about the program including participant names can be found here.

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34 Total Pages 41 Contributing Members

1981 SMITHSONIAN FOLKLIFE FESTIVAL: OJIBWA CULTURE AUDIO LOG SHEETS

Audio documentation has played a crucial part in capturing the many stories, performances, exchanges, and demonstrations that have taken place on the National Mall as part of the Festival of American Folklife (now Smithsonian Folklife Festival). For each program, documentation volunteers generated detailed "class style" notes to accompany audio recordings which often include presenter and participant names, subject keywords, song titles, and brief descriptions of the events taking place in real time. These notes are often the richest (or only) source of information about who was present and provide key references for understanding and interpreting the recorded content. While the styles, formats, and spelling accuracy vary across logs, they nevertheless serve as fundamental link between what actually took place and what is documented in audio, photo, and, video formats. At the 1981 Festival, Ojibwa participants demonstrated the construction of the wigwam, canoe, and food vessels made of bark. More information about the program including participant names can be found here.

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39 Total Pages 37 Contributing Members

1981 SMITHSONIAN FOLKLIFE FESTIVAL: SOUTH SLAVIC AMERICANS AUDIO LOG SHEETS

Audio documentation has played a crucial part in capturing the many stories, performances, exchanges, and demonstrations that have taken place on the National Mall as part of the Festival of American Folklife (now Smithsonian Folklife Festival). For each program, documentation volunteers generated detailed "class style" notes to accompany audio recordings which often include presenter and participant names, subject keywords, song titles, and brief descriptions of the events taking place in real time. These notes are often the richest (or only) source of information about who was present and provide key references for understanding and interpreting the recorded content. While the styles, formats, and spelling accuracy vary across logs, they nevertheless serve as fundamental link between what actually took place and what is documented in audio, photo, and, video formats. Like other ethnic or immigrant communities in the United States, South Slavs (Slovenes, Croats, Serbs, and Macedonians of Yugoslavia as well as Bulgarians) cherish, nurture, and thoroughly enjoy the musical traditions of their homeland. At the 1981 Festival, music and dance ensembles from Pennsylvania, Wisconsin, Illinois, Ohio, and Wisconsin brought Balkan and South Slavic traditions to life, drawing Festival visitors onto the dance floor to join the fun. More information about the program including participant names can be found here.

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