
Charles Lang Freer's vouchers for art purchases in 1906 and 1907.
Browse projects by Freer Gallery of Art and Arthur M. Sackler Gallery
Correspondence between Charles Lang Freer and Pang, Yuan-chi (Pang Yuanji; 龐元濟).
Browse projects by Freer Gallery of Art and Arthur M. Sackler Gallery
Correspondence between Charles Lang Freer and Charles Adams Platt.
Browse projects by Freer Gallery of Art and Arthur M. Sackler Gallery
The Bureau of Refugees, Freemen, and Abandoned Lands, often referred to as the Freedmen’s Bureau, was established on March 3, 1865. The duties of the Freedmen’s Bureau included supervision of all affairs relating to refugees, freedmen, and the custody of abandoned lands and property. These documents come from the Records of the Superintendent of Education for the District of Columbia, Series 7: School Reports . Please help us transcribe these records to learn more about the experiences of formerly enslaved men and women during the Reconstruction Era. Have questions about how to transcribe tables in these documents? View special directions here.
The Bureau of Refugees, Freemen, and Abandoned Lands, often referred to as the Freedmen’s Bureau, was established on March 3, 1865. The duties of the Freedmen’s Bureau included supervision of all affairs relating to refugees, freedmen, and the custody of abandoned lands and property. These documents come from the Records of the Superintendent of Education for the District of Columbia, Series 7: School Reports . Please help us transcribe these records to learn more about the experiences of formerly enslaved men and women during the Reconstruction Era. Have questions about how to transcribe tables in these documents? View special directions here.
The Bureau of Refugees, Freemen, and Abandoned Lands, often referred to as the Freedmen’s Bureau, was established on March 3, 1865. The duties of the Freedmen’s Bureau included supervision of all affairs relating to refugees, freedmen, and the custody of abandoned lands and property. These documents come from the Records of the Superintendent of Education for the District of Columbia, Series 7: School Reports . Please help us transcribe these records to learn more about the experiences of formerly enslaved men and women during the Reconstruction Era. Have questions about how to transcribe tables in these documents? View special directions here.
Have you ever wanted to explore the tiny day-to-day details of an artist's life 150 years ago? Then join the Archives of American Art as we transcribe the Jervis McEntee diaries and letters! Hudson River School painter Jervis McEntee (1828-1891) was one of the leading New York artists during the late 19th century and an incredibly prolific diarist. In his almost 4,500 diary entries in 1872-1890, McEntee records his thoughts, observations, activities, encounters, and anxieties. He paints a vivid picture of an artist's daily life with his words, and he provides a window on the New York art scene during and after the Gilded Age.
Kathryn D. Sullivan has had a distinguished career as a scientist, astronaut, and oceanographer. She was one of the first six women selected for the NASA astronaut corps, flew on three shuttle missions, and became the first American woman to walk in space as part of mission STS-41G. Sullivan’s post-NASA career included work with the National Oceanic and Atmospheric Administration, Central Ohio Science Institute, the Battelle Center for Mathematics and Science Education Policy at The Ohio State University, and service with the US Naval Reserve.
Browse projects by Smithsonian National Air and Space Museum Archives
Kathryn D. Sullivan has had a distinguished career as a scientist, astronaut, and oceanographer. She was one of the first six women selected for the NASA astronaut corps, flew on three shuttle missions, and became the first American woman to walk in space as part of mission STS-41G. Sullivan’s post-NASA career included work with the National Oceanic and Atmospheric Administration, Central Ohio Science Institute, the Battelle Center for Mathematics and Science Education Policy at The Ohio State University, and service with the US Naval Reserve.
Browse projects by Smithsonian National Air and Space Museum Archives
Please view the instructions for transcribing audio collections before beginning. Pearl Bowser (b. 1931) is a renowned African American film scholar, filmmaker, author, and film/conference programmer. She is widely recognized as an expert on the works of Oscar Micheaux, who is considered the first major African American filmmaker. Working as a researcher from the 1960s through the early 2000s, Bowser travelled the world interviewing actors, actresses, filmmakers, and scholars, including Lorenzo Tucker, Gordon Parks, Arthur Jafa, Edna Mae Harris, Toni Cade Bambara, and many others. As a programmer (1971-2012), she organized conferences and film festivals that focused on the rich, yet often obscure, history of African Americans in film. The audio in this project is from unique recordings of the interviews, conferences, and film festivals captured by Pearl Bowser. Some of the recordings may have lower quality and require close attention to understand the content, and some speakers may not be identified, or the recordings may not include the beginning of their remarks. If a speaker cannot be identified either by context in the recording or by notes from the project team, please list them as “unidentified speaker” in the transcription. Some of the recordings may contain sensitive or offensive language. For historical accuracy, our policy is to transcribe the language as it is presented in the recordings. See TC’s FAQ page for more information on transcribing sensitive language. All recordings are in the English language. The transcriptions created by TC volunteers will be used to make these unique and important recordings accessible to researchers, scholars, and the general public.
Browse projects by National Museum of African American History and Culture
At Harvard College Observatory (now the Center for Astrophysics | Harvard & Smithsonian), Women Astronomical Computers studied glass plate photographs of the night sky. Here they cataloged stars, identified variables, interpreted stellar spectra, counted galaxies, and measured the vast distances in space. Several of them made game-changing discoveries in astronomy and astrophysics. For Women's History Month, Project PHaEDRA is focusing on the notebooks of women who made observations at the Maria Mitchell Observatory while associated with Harvard. The Maria Mitchell Observatory is located in Nantucket, Massachusetts, and was so named in 1908 after the first well-known American woman astronomer. Two of the Women Astronomical Computers served as the first directors of the Observatory after their time at Harvard; Margaret Harwood (1912-1957) and Dorrit Hoffleit (1957-1978). We are interested in the work that the Women Astronomical Computers were doing at the Maria Mitchell Observatory, and how this space may have furthered their careers and allowed them to work alongside and beneath the authority of other women.
Browse projects by Harvard-Smithsonian Center for Astrophysics
At Harvard College Observatory (now the Center for Astrophysics | Harvard & Smithsonian), Women Astronomical Computers studied glass plate photographs of the night sky. Here they cataloged stars, identified variables, interpreted stellar spectra, counted galaxies, and measured the vast distances in space. Several of them made game-changing discoveries in astronomy and astrophysics. For Women's History Month, Project PHaEDRA is focusing on the notebooks of women who made observations at the Maria Mitchell Observatory while associated with Harvard. The Maria Mitchell Observatory is located in Nantucket, Massachusetts, and was so named in 1908 after the first well-known American woman astronomer. Two of the Women Astronomical Computers served as the first directors of the Observatory after their time at Harvard; Margaret Harwood (1912-1957) and Dorrit Hoffleit (1957-1978). We are interested in the work that the Women Astronomical Computers were doing at the Maria Mitchell Observatory, and how this space may have furthered their careers and allowed them to work alongside and beneath the authority of other women.
Browse projects by Harvard-Smithsonian Center for Astrophysics