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30% Complete

13 Total Pages 22 Contributing Members

Interview with Sam Gilliam, 1978 June 29

Art historian and critic Judith Wilson wrote about visual art and cultural politics for Ms. Magazine and in her academic career focused on African American art and black visual culture. Within Wilson’s papers at the Archives of American Art there are 97 sound cassette tapes and four CDs of interviews conducted with artists, their associates, and collectors for various writing projects. Judith Wilson conducted this interview with Washington, DC based Color Field painter and educator Sam Gilliam on June 29, 1978. Please view the instructions for transcribing audio collections before beginning.

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96% Complete

58 Total Pages 14 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Burlington Magazine, 1921-1956

Letters from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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94 Total Pages 23 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Burlington Magazine, 1958-1961

Letters from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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43% Complete

44 Total Pages 12 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Busiel, Syma, 1935-1958

Letters from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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27% Complete

43 Total Pages 8 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Buswell, Leslie, 1930-1939

Letters from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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17 Total Pages 6 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Butler, John, 1950-1954

Letters from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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64 Total Pages 13 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Bye, Dr. Arthur, 1929-1942

Letters from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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20% Complete

10 Total Pages 5 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Byrne, Mrs. James, 1925-1932

Letters from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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19 Total Pages 1 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Byvanck, A. W., 1952-1953

Letters from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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72% Complete

522 Total Pages 48 Contributing Members

Manila Davis Talley Scrapbook

Manila Davis Talley (1898-1973) soloed in October 1929 and received her pilot's license in April of 1930. She joined Curtis-Wright Corporation as a saleswoman in late 1929 or early 1930. Talley joined the 99s (international association of female pilots) in 1930 and was a founding member of Betsy Ross Corps, a private 1930s female auxiliary/reserve for the Army Air Corps. Talley was the third woman to go through Air Force War College, in December 1966.

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