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55% Complete

105 Total Pages 59 Contributing Members

Thomas DeWitt Milling Collection - Clippings

Thomas DeWitt Milling contributed mightily to the American heritage of flight. Possessor of the Aero Club of America's License 30, Expert Aviator License 3 and numerous awards and honors, Milling became a key figure in the early years of aviation. His illustrious career in both civil and military spheres garnered widespread acclaim.

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62% Complete

1,130 Total Pages 36 Contributing Members

Where in the World Is - Set 14

Come help us improve our digital records for the United States National Herbarium (US)! Please join us in our effort to transcribe the locality information for our difficult to decipher US Specimens. The records in this project are special cases in which the locality information requires some detective work. We'd like to ask for your help in digging a little deeper to find the Country and Territory/State/Province for each of these specimens sheets labels; see special instructions and examples here . Please contact Sylvia Orli, Department of Botany, for any questions or comments about the transcriptions. Note: Do not erase notes from other volunteers or staff; rather, leave existing comments and add your own.

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29% Complete

297 Total Pages 58 Contributing Members

William Ockleford Oldman Archive Research Materials - Collection Ledger, 1902-1916: 1 to 33668 (Part 3)

Help us transcribe "Collection Ledger, 1902-1916: 1 to 33668 (Part 3)" from the William Ockleford Oldman Archive research materials! For instructions on how to transcribe this material, please view the project instructions page here . The William Ockleford Oldman Archive research materials are comprised of digital surrogates of the business records of Oldman held by the Museum of New Zealand Te Papa Tongarewa. These records include detailed information about his purchases and sales of objects including names of original sources for objects he acquired and sold. Since this provenance information is critically important to the documentation of NMAI’s collections, NMAI and Te Papa have begun a collaborative research project to make the Oldman materials available to the public for research and scholarship. William Ockleford Oldman (1879 – 1949) was a British collector and dealer of ethnographic art and European arms and armour. His business W.O. Oldman, Ethnographical Specimens, London was active between the late 1890s and 1913. Oldman purchased items from various sources including from auctions, directly from other collectors and dealers and also from many small British museums and historic houses. He held regular auctions to sell items and also reserved items for possible sale to particular private collectors, scholars, and heritage institutions including the Museum of the American Indian, Heye Foundation, NMAI’s predecessor institution. Ethnographic specimens with a provenance to Oldman’s business can now be found in various public institutions around the world including the National Museum of the American Indian.

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11% Complete

117 Total Pages 17 Contributing Members

William Ockleford Oldman Archive Research Materials - Collection Ledger, 1914-1916: 33669 to 37700

Help us transcribe "Collection Ledger, 1914-1916: 33669 to 37700" from the William Ockleford Oldman Archive research materials! For instructions on how to transcribe this material, please view the project instructions page here . The William Ockleford Oldman Archive research materials are comprised of digital surrogates of the business records of Oldman held by the Museum of New Zealand Te Papa Tongarewa. These records include detailed information about his purchases and sales of objects including names of original sources for objects he acquired and sold. Since this provenance information is critically important to the documentation of NMAI’s collections, NMAI and Te Papa have begun a collaborative research project to make the Oldman materials available to the public for research and scholarship. William Ockleford Oldman (1879 – 1949) was a British collector and dealer of ethnographic art and European arms and armour. His business W.O. Oldman, Ethnographical Specimens, London was active between the late 1890s and 1913. Oldman purchased items from various sources including from auctions, directly from other collectors and dealers and also from many small British museums and historic houses. He held regular auctions to sell items and also reserved items for possible sale to particular private collectors, scholars, and heritage institutions including the Museum of the American Indian, Heye Foundation, NMAI’s predecessor institution. Ethnographic specimens with a provenance to Oldman’s business can now be found in various public institutions around the world including the National Museum of the American Indian.

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89% Complete

2,096 Total Pages 174 Contributing Members

Women's History at the Archives of American Art

Celebrate the history of women artists and art historians by exploring and transcribing archival collections from the Archives of American Art. Through diaries, notebooks, essays, and correspondence, learn about the life and careers of painters, sculptors, writers, critics, art historians, and other creative women who made their mark on American history.
In January 2020, we're featuring travel diaries from the papers of artist, teacher and gallery director Anna Walinska (1906-1997).

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Subprojects

49% Complete

99 Total Pages 19 Contributing Members

Yamada Diary

Help us transcribe this WWII Japanese diary. At the end of World War II, an unknown United States Marine brought home several Japanese-language items. These items were subsequently sold and the purchaser's son later donated them to the National Air and Space Museum. In 2003 and 2004, Museum volunteers, Mr. Koji Hayama and Mr. Tom Momiyama, translated parts of the material and they believe that they were created by a Mr. Yamada, who was probably part of an aircraft ground crew with occasional flight duties, and served in Manchuria, Korea, Burma, and the Philippines. Transcriptions of this diary will help National Air and Space Museum curators as they begin research for new exhibits. Please note that this diary is written in Japanese, and requires access to a Japanese keyboard, and basic knowledge of the language, for transcription. NASM staff are also interested in any translations that can be provided of the diary's contents. Please separate any translations by including them below the transcriptions for each page, and by indicating the translation with brackets. For example: [[translation]] text here [[/translation]]. Please reach out with any questions.

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