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104 Total Pages 2 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: American Federation of Arts, 1923-1932

Letters from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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14 Total Pages 4 Contributing Members

Loose pages from a magazine about the Cotton Club

Part of the music domain includes nightlife and nightclubs, which were often the centerpiece of musical life during the first half of the twentieth century. Sisters Laura “Laurie” Cathrell and Sally J. Cathrell Jr. were both involved in New York’s nightlife scene, one as a showgirl and the other as a publisher of magazines featuring famous musicians and dancers of the time. Laurie performed in many famous nightclubs throughout America including Club Plantation and the Cotton Club. She is featured in many of the photographs and magazines of this collection. Sally followed in the footsteps of their parents, and made a career in publishing and created “The Show-Down” magazine, which was devoted to nightclub life and entertainment. In volume 1, number 1, “The Showdown” magazine is described as "a monthly publication, which caters to theatricals exclusively." The magazine featured night club reviews, show reviews, and features on performers. The magazine mainly covered New York, Indianapolis, Chicago, Denver, Detroit, Kansas City, and St. Louis. Help us transcribe the photographs, magazines, and programs and discover the many famous musicians and dancers featured.

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2 Total Pages 1 Contributing Members

Photographic plate for the April 1937 edition of The Show-Down Magazine

Part of the music domain includes nightlife and nightclubs, which were often the centerpiece of musical life during the first half of the twentieth century. Sisters Laura “Laurie” Cathrell and Sally J. Cathrell Jr. were both involved in New York’s nightlife scene, one as a showgirl and the other as a publisher of magazines featuring famous musicians and dancers of the time. Laurie performed in many famous nightclubs throughout America including Club Plantation and the Cotton Club. She is featured in many of the photographs and magazines of this collection. Sally followed in the footsteps of their parents, and made a career in publishing and created “The Show-Down” magazine, which was devoted to nightclub life and entertainment. In volume 1, number 1, “The Showdown” magazine is described as "a monthly publication, which caters to theatricals exclusively." The magazine featured night club reviews, show reviews, and features on performers. The magazine mainly covered New York, Indianapolis, Chicago, Denver, Detroit, Kansas City, and St. Louis. Help us transcribe the photographs, magazines, and programs and discover the many famous musicians and dancers featured.

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20 Total Pages 1 Contributing Members

The Show-Down vol. 2 no. 4

Part of the music domain includes nightlife and nightclubs, which were often the centerpiece of musical life during the first half of the twentieth century. Sisters Laura “Laurie” Cathrell and Sally J. Cathrell Jr. were both involved in New York’s nightlife scene, one as a showgirl and the other as a publisher of magazines featuring famous musicians and dancers of the time. Laurie performed in many famous nightclubs throughout America including Club Plantation and the Cotton Club. She is featured in many of the photographs and magazines of this collection. Sally followed in the footsteps of their parents, and made a career in publishing and created “The Show-Down” magazine, which was devoted to nightclub life and entertainment. In volume 1, number 1, “The Showdown” magazine is described as "a monthly publication, which caters to theatricals exclusively." The magazine featured night club reviews, show reviews, and features on performers. The magazine mainly covered New York, Indianapolis, Chicago, Denver, Detroit, Kansas City, and St. Louis. Help us transcribe the photographs, magazines, and programs and discover the many famous musicians and dancers featured.

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203 Total Pages 4 Contributing Members

National Numismatic Collection - Chinese Bank Notes, Set 3

Ready for a new challenge volunpeers? Help us transcribe Chinese Bank Notes from the Smithsonian's National Numismatic Collection (NNC). Established in the mid-19th century, several of the earliest additions to the NNC were artifacts from Japan, Korea, and China, including coins and medals gifted to President Ulysses S. Grant from Japanese Emperor Meiji (received in 1881) and the 2,025 East Asian coins, amulets, and notes from George Bunker Glover’s private collection (received in 1897). These donations were the foundation of the NNC’s East Asian holdings, which continues to grow with new acquisitions, such as the Howard F. Bowker collection in 2017. The NNC is now working to digitize 6,000 Chinese notes and paper transactional objects that range from the Ming Dynasty to the present day. One of the main challenges to the digitization process is transcription, transliteration and translation of several Asian alphabets. Sometimes this can be done quickly, but often the process is too lengthy for NNC team members to complete while moving the project forward efficiently. In order to continue to share these objects rapidly, we need your help! The transcription of these bank notes will help NNC staff figure out how best to make these objects available and more easily searchable online. Please visit the special instructions for this project before beginning transcription.

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1% Complete

198 Total Pages 4 Contributing Members

National Numismatic Collection - Chinese Bank Notes, Set 2

Ready for a new challenge volunpeers? Help us transcribe Chinese Bank Notes from the Smithsonian's National Numismatic Collection (NNC). Established in the mid-19th century, several of the earliest additions to the NNC were artifacts from Japan, Korea, and China, including coins and medals gifted to President Ulysses S. Grant from Japanese Emperor Meiji (received in 1881) and the 2,025 East Asian coins, amulets, and notes from George Bunker Glover’s private collection (received in 1897). These donations were the foundation of the NNC’s East Asian holdings, which continues to grow with new acquisitions, such as the Howard F. Bowker collection in 2017. The NNC is now working to digitize 6,000 Chinese notes and paper transactional objects that range from the Ming Dynasty to the present day. One of the main challenges to the digitization process is transcription, transliteration and translation of several Asian alphabets. Sometimes this can be done quickly, but often the process is too lengthy for NNC team members to complete while moving the project forward efficiently. In order to continue to share these objects rapidly, we need your help! The transcription of these bank notes will help NNC staff figure out how best to make these objects available and more easily searchable online. Please visit the special instructions for this project before beginning transcription.

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3% Complete

230 Total Pages 12 Contributing Members

Princeton University Poster Collection - Catalog Sheets, Binder 19

The Princeton University Library donated the Princeton University Poster Collection documenting World War I and World War II posters to the Smithsonian Institution in 1963 and 1967. The collection represents one of the largest and most complete collections of United States war posters produced. The collection is also rich in non-US materials that include French government proclamations, British Army recruiting posters, and civil defense posters from smaller US allies such as Canada and New Zealand. Also included are non-government produced posters reflecting pre-war as well as wartime patriotic, anti-German, and pro-refugee sentiments. Together these provide a broader picture of public attitudes. The breadth of public and charitable agencies, images, and slogans represented in the collection make it valuable not only as single items, but as a comprehensive expression of the support and sentiment for war during these two periods. The collection provides a unique opportunity for diverse use of the material for research (social, military, media, ethnic, and political), exhibitions, and educational purposes. Help us transcribe these catalog sheets containing information about each poster in this important collection. Find instructions for transcribing these projects here . Your work will help the Archives Center staff make the collection more widely accessible through the Smithsonian�s Online Virtual Archives.�

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3% Complete

369 Total Pages 9 Contributing Members

Princeton University Poster Collection - Catalog Sheets, Binder 17A

The Princeton University Library donated the Princeton University Poster Collection documenting World War I and World War II posters to the Smithsonian Institution in 1963 and 1967. The collection represents one of the largest and most complete collections of United States war posters produced. The collection is also rich in non-US materials that include French government proclamations, British Army recruiting posters, and civil defense posters from smaller US allies such as Canada and New Zealand. Also included are non-government produced posters reflecting pre-war as well as wartime patriotic, anti-German, and pro-refugee sentiments. Together these provide a broader picture of public attitudes. The breadth of public and charitable agencies, images, and slogans represented in the collection make it valuable not only as single items, but as a comprehensive expression of the support and sentiment for war during these two periods. The collection provides a unique opportunity for diverse use of the material for research (social, military, media, ethnic, and political), exhibitions, and educational purposes. Help us transcribe these catalog sheets containing information about each poster in this important collection. Find instructions for transcribing these projects here . Your work will help the Archives Center staff make the collection more widely accessible through the Smithsonian�s Online Virtual Archives.�

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3% Complete

104 Total Pages 4 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: American Federation of Arts, 1948-1953

Letters from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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3% Complete

329 Total Pages 12 Contributing Members

Princeton University Poster Collection - Catalog Sheets, Binder 18

The Princeton University Library donated the Princeton University Poster Collection documenting World War I and World War II posters to the Smithsonian Institution in 1963 and 1967. The collection represents one of the largest and most complete collections of United States war posters produced. The collection is also rich in non-US materials that include French government proclamations, British Army recruiting posters, and civil defense posters from smaller US allies such as Canada and New Zealand. Also included are non-government produced posters reflecting pre-war as well as wartime patriotic, anti-German, and pro-refugee sentiments. Together these provide a broader picture of public attitudes. The breadth of public and charitable agencies, images, and slogans represented in the collection make it valuable not only as single items, but as a comprehensive expression of the support and sentiment for war during these two periods. The collection provides a unique opportunity for diverse use of the material for research (social, military, media, ethnic, and political), exhibitions, and educational purposes. Help us transcribe these catalog sheets containing information about each poster in this important collection. Find instructions for transcribing these projects here . Your work will help the Archives Center staff make the collection more widely accessible through the Smithsonian�s Online Virtual Archives.�

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