24 Total Pages 9 Contributing Members
In this short handscroll, artist Zhao Mengfu depicts three grooms and fifteen horses in various postures crossing a river. By combining the colorful realism of the Tang dynasty (618-907) with the ink line drawing of the Northern Song dynasty (960-1127) literati tradition, Zhao Mengfu established a new direction for his fellow painters during the transitional years of the late thirteenth century. While the painting does not exhibit the superb skill and fluency of the artist's genuine works, it is probably a close copy of an original composition by Zhao and may have been executed by one of his more accomplished followers. Help make this beautiful handscroll more accessible for researchers around the world by transcribing the Chinese characters. Please note: Freer Sackler staff are ONLY asking for the transcription of the text this collection, so please transcribe using the corresponding Chinese characters (you will need a basic knowledge of Chinese and access to a Chinese language keyboard for this). You do not need to transcribe the red stamped seals. Translation and transliteration are also not needed, and staff have requested that images not be described. Please reach out with any questions.
952 Total Pages 21 Contributing Members
Come help us improve our digital records for the United States National Herbarium (US)! Please join us in our effort to transcribe the locality information for our difficult to decipher US Specimens. The records in this project are special cases in which the locality information requires some detective work. We'd like to ask for your help in digging a little deeper to find the Country and Territory/State/Province for each of these specimens sheets labels; see special instructions and examples here . Please contact Sylvia Orli, Department of Botany, for any questions or comments about the transcriptions. Note: Do not erase notes from other volunteers or staff; rather, leave existing comments and add your own.
97 Total Pages 23 Contributing Members
Letters with miscellaneous correspondents from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world’s foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.
45 Total Pages 16 Contributing Members
Help us transcribe "Sales Register, 1902-1903" from the William Ockleford Oldman Archive research materials! For instructions on how to transcribe this material, please view the project instructions page here . The William Ockleford Oldman Archive research materials are comprised of digital surrogates of the business records of Oldman held by the Museum of New Zealand Te Papa Tongarewa. These records include detailed information about his purchases and sales of objects including names of original sources for objects he acquired and sold. Since this provenance information is critically important to the documentation of NMAI’s collections, NMAI and Te Papa have begun a collaborative research project to make the Oldman materials available to the public for research and scholarship. William Ockleford Oldman (1879 – 1949) was a British collector and dealer of ethnographic art and European arms and armour. His business W.O. Oldman, Ethnographical Specimens, London was active between the late 1890s and 1913. Oldman purchased items from various sources including from auctions, directly from other collectors and dealers and also from many small British museums and historic houses. He held regular auctions to sell items and also reserved items for possible sale to particular private collectors, scholars, and heritage institutions including the Museum of the American Indian, Heye Foundation, NMAI’s predecessor institution. Ethnographic specimens with a provenance to Oldman’s business can now be found in various public institutions around the world including the National Museum of the American Indian.