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24 Page 34: THREE EPISODES FROM THE LIFE OF ESTHER - [[italics]] pen and brown ink. Rivista, Fig. 8 - See Illustration [[/italics]] Page 35: NOTES ON ARCHITECTURE, headed [[italics]] Alcune' regole d' Archittetura; [[/italics]] and an CAVALRY BATTLE - [[italics]] pen and brown ink, brown wash - See Illustration [[/italics]] Page 36: STUDIES OF COLUMNS - [[italics]] indexed and inscribed [[/italics]]- headed [[italics]] del Ordine Toscano overo Rustico - black chalk, pen and brown ink [[/italics]] Page 37: AN ARCHITRAVE - [[italics]] with a long inscription - pen and brown ink; [[/italics]] and TWO CATS - [[italics]] black chalk [[/italics]] Page 38: STUDY OF A COLUMN - [[italics]] with a long inscription - black chalk, pen and brown ink [[/italics]] Page 39: AN ARCH OR GATEWAY - [[italics]] with a long inscription - black chalk, pen and brown ink [[/italics]] Page 40: AN ARCH OR GATEWAY - [[italics]] with a long inscription - black chalk, pen and brown ink [[/italics]] Page 41: AN ARCH OR GATEWAY - [[italics]] with a long inscription - black chalk, pen and brown ink [[/italics]] Page 42: A COVERED PASSAGE with three traverse barrel vaults - [[italics]] black chalk, pen and brown ink, brown wash [[/italics]] Page 43: THREE EMBRASURES IN A WALL WITH LUNETTES ABOVE - [[italics]] black chalk, pen and brown ink, brown wash [[/italics]] Page 44: AN ARCHWAY - [[italics]] with a long inscription - black chalk, pen and brown ink, brown wash [[/italics]] Page 45: AN ARCHWAY - [[italics]] with a long inscription - black chalk, pen and brown ink, brown wash [[/italics]] Page 46: A TRIPLE ARCH - [[italics]] with a long inscription - black chalk, pen and brown ink, brown wash [[/italics]] Page 47: A TRIPLE ARCH - [[italics]] inscribed - black chalk, pen and brown ink, brown wash [[/italics]] Page 48: A ARCUATED COLONNADE - [[italics]] black chalk, pen and brown ink, brown wash [[/italics]] Page 49: A TRIPLE ARCH - [[italics]] black chalk, pen and brown ink, brown wash [[/italics]] Page 50: THREE RECTANGULAR OPENINGS IN A RUSTICATED WALL - [[italics]] black chalk, pen and brown ink, brown wash [[/italics]] Page 51: A WALL WITH NICHES AND ATTIC WINDOWS - [[italics]] black chalk, pen and brown ink, brown wash [[/italics]] Page 52: DESIGNS FOR RUSTICATION - [[italics]] inscribed - black chalk, pen and brown ink, brown wash [[/italics]] Page 53: TWO DESIGNS FOR FIREPLACES - [[italics]] black chalk, pen and brown ink, brown wash [[/italics]] Page 54: AN ARCHWAY - [[italics]] black chalk, pen and brown ink, brown wash [[/italics]] [[end page]] [[start page]] 25 Page 55: THE BASE OF A COLUMN - [[italics]] with a long inscription - black chalk, pen and brown ink, brown wash [[/italics]] Page 56: A FRIEZE AND ARCHITRAVE; and A TREE - [[italics]] black chalk, pen and brown ink, brown wash [[/italics]] Page 57: Blank Page 58: A MAN'S ARM AND LEG - [[italics]] pen and brown ink. Rivista, Fig. [[/italics]] 45 Page 59: STUDIES FOR A LEDA AND THE SWAN - [[italics]] black chalk, pen and brown ink. Rivista, Fig. [[/italics]] 50 Page 60: A GROUP OF THE DAMNED, from the lower right of [[italics]] The Victory of Saint Michael over Lucifer [[/italics]] in the Carmine at Siena - [[italics]] black chalk. Rivista, Fig. [[/italics]] 22 Page 61: TWO STUDIES OF ARMS - [[italics]] red chalk, and pen and brown ink. Rivista, Fig. [[/italics]] 47 Page 62: THE FARNESE CIBORIUM, and other studies - [[italics]] pen and brown ink, brown wash. Rivista, Fig. [[/italics]] 57 Page 63: THE HEAD OF A WOMAN, possibly for the Juno in the [[italics]] Spurious Cassius [[/italics]] in the Sala del Concistoro in the Palazzo Pubblico, Siena - [[italics]] black chalk. Rivista, [[/italics]] Fig.4 Page 64: TWO LOGGIAS WITH SCULPTURE - [[italics]] pen and brown ink, brown wash. Rivista, Fig. [[/italics]] 61 Page 65: A RIVER GOD; and STUDIES FOR A LEDA AND THE SWAN - [[italics]] pen and brown ink. Rivista, Fig. [[/italics]] 51 Page 66: A SEATED NUDE GIRL - [[italics]] black chalk. Rivista, Fig. [[/italics]] 31 Page 67: AN ANGEL WITH A SWORD, a study for the [[italics]] Saint Michael [[/italics]] in the Siena Gallery - [[italics]] red chalk. Rivista, Fig. [[/italics]] 20 Page 68: STUDIES OF A HAND; and A WOMAN - [[italics]] black chalk. Rivista, Fig. [[/italics]] 5 Page 69: A MALE NUDE, from [[italics]] The Fall of The Angels [[/italics]] in the Siena Gallery - [[italics]] red chalk. Rivista, Fig. [[/italics]] 21 Page 70: A NUDE WOMAN, and other figure studies - [[italics]] black chalk, and pen and brown ink. Rivista, Fig. [[/italics]] 30 - [[italics]] See Illustration [[/italics]] Page 71: TWO STUDIES FOR AN ANGEL, possibly for [[italics]] The Sacrifice of Isaac [[/italics]] in the Pavement of the Siena Duomo - [[italics]] pen and brown ink, brown wash. Rivista, Fig. [[/italics]] 48 - [[italics]] See Illustration [[/italics]] Page 72: STUDIES FOR A SAINT MICHAEL, ANGEL CANDELABRA, and other motives - [[italics]] pen and brown ink. Rivista, Fig. [[/italics]] 56 Page 73: THE HEADS OF TWO WOMEN - [[italics]] pen and brown ink; [[/italics]] and A LEFT ARM - [[italics]] red chalk [[/italics]] (attributed by Liphart to Bartolomeo Neroni, il Riccio). [[italics]] Rivista, Fig. [[/italics]] 63 Page 74: A SKULL, and A RIGHT ARM - [[italics]] pen and brown ink. Rivista, Fig. [[/italics]] 42 Page 75: A NUDE YOUTH WITH PUTTI, possibly connected with the Sala del Concistoro - [[italics]]red chalk, pen and brown ink. Rivista, Fig. [[/italics]] 6
