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[[reverse side of photo of Renoir's "Venus holding an Apple]] allow any words of his own to cause injustice to a newcomer. Th[[cut off]] his opinion of Matisse, he practically declined to answer, pleadin[[cut off]] with the work of the younger generation. Hearing of this, one o[[cut off]] Renoir: he will never say an unkind word about anyone - not e[[cut off]] bear." But, in 1918, his refusal to commit himself to a premature [[cut off]] was rewarded by the satisfaction of realizing that art was safe in[[cut off]] -tion. In Matisse, he exclaimed, was "painting, good painting!" Renoir's career was one of extraordinary continuity. Throug[[cut off]] those bits of decoration on porcelain which he had made as a y[[cut off]] minders that he himself, the famous artist, had begun as a memb[[cut off]] heir to its traditions. He meant high praise when he said that Céz[[cut off]] the old masters of ceramics. As we leaf through the illustrations to this volume we shall [[cut off]] Renoir's Courbetesque beginnings developed into a further stu[[cut off]] and the other Impressionists, he made an intensive analysis of [[cut off]] During his next stage, under the impact of masterpieces seen at [[cut off]] his new realization of the possibilities revealed to him by Ingres [[cut off]] -ligible transition from his Impressionist period took place A p[[cut off]] [[image - sketch of a woman]] the Girl Readin[[cut off]] to the Girl wit[[cut off]] Période aigre. [[cut off]] -ing opulence a[[cut off]] unfolding of w[[cut off]] true, that astou[[cut off]] of his life, can [[cut off]] for in his mind[[cut off]] repeats, after a [[cut off]] Madame Renio[[cut off]] Renior's sculptu[[cut off]] powerful rende[[cut off]] canvas, but was [[cut off]] his boyhood dis[[cut off]] His vision w[[cut off]] Reims and Not[[cut off]]
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