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If music be the food love, play on. If not, how about dinner at one of these great restaurants?

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[[image: line drawing of a shield with "AMERICAN EXPRESS CARDS" and the silhouette of a Greek soldier in the centre]] American Express (R) knows the most fulfilling evening at the theater or a concert includes a great dinner. And we know the best way to pay for it-with the American Express Card.
To apply for the Card, call (800)  528-8000, toll-free.

From around the world.

La Crepe. 1350 Avenue of the Americas, 586-2966. Dine in this charming, unique restaurant serving 110 authentic French crepes at moderate prices.

Mamma Leone's. 239 W. 48th St., 586-5151. Not just Italian, but a tradition. Satisfying hungry appetites has been Mamma Leone's specialty since 1906.

Rainbow Room. 30 Rockefeller Plaza, 757-9090. Sixty-five floors atop Manhattan. The Continental cuisine matches the view. Open Monday-Saturday.
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Sardi's. 234 W. 44th St., 524-0707. Open for lunch, dinner and after-theater supper Mon.-Sat. Specialty:supremeofchickenalaSardi.

Solely seafood...
or beautiful beef.
Broadway Joe's Steak House.
315 W. 46th St., CI 6-6513. A popular place for steaks and chops, prepared in an open kitchen.

Joe's Pier 52. 144 W. 52nd St., 245-6652. Featuring a wide array of seafood. Showboat lounge, entertainment nightly. Open daily for lunch and dinner.

Spindletop. 254 W. 47th St., 245-7455. One of the finest steak houses in the country. Open for dinner and supper Mon.-Sat. 4 p.m. to 1 a.m.

Wally's. 224 W. 49th St., 582-0460. Newly located and expanded. In the heart of the theater district, this restaurant offers the finest steak and fresh Maine lobster. [[/column 2]]
[[image: black and white photograph of a fork sitting atop a napkin with an American Express card atop both]] [[logo: AMERICAN EXPRESS]]
(C) American Express Company, 1975 [[/end page]]
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was a regular on the daytime serial, [[italics]] One Life to Live [[/italics]], and on CBS-TV's [[italics]] Leslie Uggams Show [[/italics]].  Her recordings include "Imitation of Life" and the LP, "My Prayer." She has appeared in the films, [[italics]] The Night They Raided Minsky's [[/italics]] and the soon-to-be-released [[italics]] Mandingo [[/italics]] with James Mason.  A native of Baltimore, Maryland, she was educated at Edward Waters College, Wilberforce University and Virginia Union University.

JOAN COPELAND ([[italics]] Harriet Lee [[/italics]]) last appeared on Broadway as Danny Key's wife in Richard Rodgers' [[italics]] Two by Two [[/italics]], and earlier this season starred in the well received revival of S. N. Behrman's [[italics]] End of Summer [[/italics]] at the Broadway debut in the Actors Studio production of [[italics]] Sundown Beach [[/italics]] and followed with leading roles in [[italics]] Detective Story, Not for Children [[/italics]], and [[italics]] Handful of Fire. [[/italics]] Miss Copeland created a sensation when she took over for the ailing Vivien Leigh in the musical [[italics]] Tovarich [[/italics]] and subsequently co-starred in the musical, [[italics]] Something More [[/italics]].  She served as standby for Katharine Hepburn in [[italics]] Coco [[/italics]] and her other Broadway appearances include [[italics]] The Diary of Anne Frank, The Tender Trap [[/italics]] and Arthur Miller's [[italics]] The Price [[/italics]].  Off-Broadway Miss Copeland has played leads in revivals of Noel Coward's [[italics]] Conversation Piece [[/italics]] and Marc Blitzstein's [[italics]] No For An Answer [[/italics]].  She toured the summer tent circuit as Eliza in [[italics]] My Fair Lady [[/italics]] with Zachary Scott and appeared in two Paddy Chayefsky films, as Kim Stanley's aunt in [[italics]] The Goddess [[/italics]] and as Fredric March's daughter in [[italics]] Middle of the Night. [[/italics]] Her TV credits range from the Play of the Week's prizewinning production of O'Neill's [[italics]] The Iceman Cometh [[/italics]] to guest appearances on [[italics]] Johnny Carson's The Tonight Show. [[/italics]]  She is a great favorite of daytime viewers for her portrayals of Andrea Whiting in [[italics]]Search for Tomorrow [[/italics]] and currently Monica Courtland on NBC's [[italics]] How To Survive a Marriage [[/italics]].

FRANK OWENS ([[italics]] Jonathan Jackson, Jr.) [[/italics]] is making his Broadway stage debut in this production.  Primarily a studio musician and arranger, he has been musical director for the last nine years and/or pianist/accompanist for many popular singers including Petula Clark, Johnny Mathis, Chubby Checker, Lesley Gore, Johnny Nash, Freda Payne, John [[/column 1]]
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Denver and Melba Moore. He also took over the conducting chores of the Broadway musical, [[italics]] Don't Play Us Cheap [[/italics]].  More recently he was a member of the band on two ABC-TV entries: [[italics]] Jack Paar Tonight Show [[/italics]] and Gerald Rivera's [[italics]] Goodnight America. [[/italics]]  Classical music is his first love. He owes his early training to Vladimir Padwa and Patricia Boyd Wilson. MARCIA WATKINS ([[italics]] Gale Bennett [[/italics]]) made her professional stage debut in the first National Company of [[italics]] No, No Nanette [[/italics]] with June Allyson and Dennis Day after her first New York audition.  Starting in the chorus she went on to play Betty from Boston and understudy the role of Nanette.  Miss Watkins has toured the summer stock circuit in [[italics]] Cabaret, My Fair Lady, Oklahoma [[/italics]] and [[italics]] Dames at Sea [[/italics]] among other productions.  She has been seen as a featured dancer on segments of Sesame Street.

HECTOR JAIME MERCADO ([[italics]] Lead Dancer [[/italics]]) is a native New Yorker and former member of the Alvin Ailey Dance Company. He attended the High School of Performing Arts and studied also at the Harkness House of Ballet.  He is married to ballet teacher Helen Greenford and they recently had their first child, Olivia. [[italics]] Doctor Jazz [[/italics][ marks Mr. Mercado's Broadway stage debut.

PAUL CARTER HARRISON ([[italics]] CO-Author of the Book [[/italics]]) is a 1974 OBIE Award winner for his musical play, [[italics]] The Great MacDaddy [[/italics]], which was performed by the Negro Ensemble Company. A Professor on the faculties of Theater Arts and the W.E.B. Dubois Department of Afro-American Studies at the University of Massachusetts, Mr. Harrison conceived and directed the original version of [[italics]] Aint Supposed to Die a Natural Death [[/italics]], based on the poems of Melvin Van Peebles, which, following its successful run at the State University of California, Sacramento later enjoyed a long run on Broadway.  The multi-talented Mr. Harrison directed the Billie Holiday-inspired [[italics]] Lady Day: A Musical Tragedy [[/italics]], at the Chelsea Theatre Center two seasons ago and is the author of the books, [[italics]] The Drama of Nommo [[/italics]] a critical evaluation of Afro-American theatre in an African mode, and [[italics]] Kuntu Drama [[/italics]], an anthology of new Afro-American theatre forms. Earlier plays and books were published in Europe, and his [[/column 2]]
[[advertisement: Say "YES" to Martini& Rossi on the rocks.
A wine with a character all its own. [[image: black and white photograph of two glasses of [[presumably]] wine on ice next to two bottles of Martini & Rossi]]

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