Viewing page 21 of 35
It looks like you're using a mobile device. We recommend using a physical keyboard for transcription entry.
O'NEILL [[double black]] LOUIS JORDAN Born on July 8, 1908, in Brinkley, Arkansas, the son of a music teacher, Louis Jordan started his career in a traveling vaudeville show. In the furtherance of his musical future he travelled first to Philadelphia, then to New York performing as sidesman, playing the alto sax and singing with numerous bands, including the Charlie Gaines, Clarence Williams and Chick Webb orchestras. He began his solo career in 1938. Leading his own combo, The Tympany Five, he started to forge his individual style as showman, comic, entertainer and leader. The Tympany Five (although his pool of artists was larger) began to record for Decca in 1939. During Jordan's time with Decca he produced over 200 sides, many making the charts. Throughout that time the band enjoyed itself and many talents were nurtured. "In the Tympany Five, the trumpets had real fil," Kurt Mohr later reminisced. Bill Jennings, Aaron Izenhall, Bill Doggett, Wild Bill Davis and Bob Mitchell all spent time as part of the Five. ANd up front there was always Louis. He could croon, he could scat and his songs covered an enormous range. His satirical lyrics did not fight shy of covering the problems of being black and his group became a major attraction both on disc and radio. His brilliant vocals and comic asides fired the popular imagination. Major hits of that time were: "Caladonia," "My Baby Said Yes" with Bing Crosby (1945), "GI Jive," "Is You Is Or Is You Ain't Ma' Baby" (sold a million), "Choo, Choo Ch'boogie" (1946), "Open the Door Richard" (1947), "Baby It's Cold Outside" with Ella Fitzgerald and "Saturday Night Fish Fry" (1949). Jordan left Decca just before the rise of Bill Haley, when "Rock Around the Clock" saw the popular beginnings of Rock-and-Roll. In 1954 he signed with [[image: black and white photograph of a man holding a saxophone in both hands in front of his body. The man is wearing a suit and tie and a ring on his left ring finger. The man has some facial hair and is smiling with his teeth gaping. ]] Eddie Messner's Aladdin label for two years before joining Mercury in 1956. 1961 saw Luis with Morty Croft's Warwick Records after which he moved on to Ray Charles' Tangerine label in the mid-'60s and 1968 brought him to Paul Gayton's Los Angeles-based Pzazz company. Luis Jordan's style, though rooted in blues and jazz, encompassed jump, boogie, the calypso, rumbas and ballads. Although it was as an entertainer that Louis Jordan wanted to be remembered-- "I want to play for the people," he said-- the importance of his work as one of the fathers of Rock-and-Roll has been acknowledged by many later performers, including Ray Charles and Chick Berry: "If I had to work with anyone through Eternity, it would be Louis Jordan." He died in Los Angeles of a heart attach on February 4, 1975. 40 [[end page]] [[start page]] [[advertisement]] [[image: Colored photograph of the front angle of a Ford vehicle, a small sedan taking-up the top 2/3's of a page. The headlights are on and there is no visible driver. The background of the image is a grey solid color. There is no text above the car, but below the car is the caption "THE SEQUEL THAT IMPROVES ON THE ORIGINAL." in the lower left hand corner of the image. In the lower right hand corner of the image is the text "Buckle up- together we can save lives." Below the image is the text of the advertisement]] HAVE YOU DRIVEN A FORD LATELY? You've been waiting for it. The evolution of the revolutionary Ford Taurus. Be prepared to cast aside the limits of traditional sedan expectations. THE REINTRODUCTION. And here it is. The 1992 Ford Taurus. An innovative wonder that gives refinement and subtlety their due. The new Taurus has a completely redesigned exterior that gives you a distinct new edge of sophistication. The interior is quieter, more comfortable. And the instrument panel flows smoothly from door to door, with controls put in places that will pleasantly surprise you. THE SAFETY STORY. But this Taurus is not just a testament to smoothing rough edges. It's taking the best of new ideas and putting them to use. Anti-lock brakes are available. And Taurus offers dual air bags (standard driver and optional right-front passenger air bag supplemental restraint system to be used with your safety belts)--a Ford Motor Company exclusive in this class. THE SATISFYING CONCLUSION. The 1992 Ford Taurus. AN excellent reminder that the best sequels are the ones that know why the original was a success. NEW TAURUS [[image: Ford logo. Blue oval with silver border and the text "Ford" in the oval]] [[/advertisement]]
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact firstname.lastname@example.org.