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EXECUTIVE COMMITTEE
Solomzi, Bisholo, Thami Cele, Bongani Hlope, Mannie Manim, Makalo Mofokeng, Bheki Mquadi, Bhoyi Ngema, Barney Simon, Ndaba Mhlongo

TRUSTEES U.S.A.
Mbongeni Ngema, Hamilton Fish II, Quincy Jones, Hugh Masekela, Duma Ndlovu, Henry Winkler

Managing Director ...... Mbongeni Ngema
Administrator .......... Suzette le Sueur

OUR THANKS TO
Snapper Clothes (Pty) Ltd., Richleigh Shoes, Nat Roamer of Army & Navy Surplus, Maine Tgixeira of Afgate, Oriental Outfitters, Garys Bazaar, H. Hamberger of The Dance Shop--Balfour Park, Professor Bozzoli, Lauren Wilensky, Anton Burggraaf, Conrad Haikes, Percy Tucker and the Staff of Computicket, The Ladies & Gentlemen of the Media.

COMMITTED ARTISTS GIVES SPECIAL THANKS TO
Mr. Tony Bloom of The Premier Group, Solomzi Bisholo, Thami Cele, Bongani Hlope, Makalo Mofokeng, Bheki Mqadi, Bhoyi Ngema and Beatrice Hollyer, Mr. Herb Gardner

AND TO OUR TUTORS
Thandi Bruwer, Andrew Buckland, Fiona Fraser, John Kani, Lesley Manim, Robyn Orlin, Jenny Pogrund, Nadine Segal and Pippa Stein.

MARKET THEATER COMPANY
Managing Director ..... Mannie Manim
Artistic Director ..... Barney Simon
Production Manager .... Wesley France

CREDITS
Scenery built and painted by Messmore and Damon; Lighting equipment supplied by Bash Theatrical Stage Lighting; Sound equipment supplied by Masque Sound and Recording Corporation.

SPECIAL THANKS
Vera Giroux, Expo Travel, Yvonne and Gary, Jamaican Hot Pot, Mayflower Hotel, Dr. Khanyile.

Lincoln Center Theater is a constituent of Theatre Communications Group, the national organization for the non-profit professional theater. 

Lobby refreshment by Sweet Feast

THE STAGE MANAGERS EMPLOYED IN THIS PRODUCTION ARE MEMBERS OF ACTORS' EQUITY ASSOCIATION, THE UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS IN THE UNITED STATES.

WARNING
The photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside this theatre, without the written permission of the management is prohibited by law. Violators may be punished by election and violations may render the offender liable for money damages.

FIRE NOTICE: The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. In the event of fire or other emergency please do not run -- WALK TO THAT EXIT.

Thoughtless persons annoy patrons and endanger the safety of others by lighting matches or smoking in prohibited areas during the performances and intermissions. This violates a City ordinance and is punishable by law.

Joseph E. Spinnato -- FIRE COMMISSIONER

OVERHEARD
At the AMERICAN THEATRE WING SEMINARS

The American Theatre Wing, founder of the Tony(R) Award and sponsor of a number of other programs to promote live theatre, holds two seminars a year -- in fall and spring -- called Working In The Theatre. These three-day sessions invite drama students from colleges and universities in the Metropolitan area, members of theatre unions, the cast of Broadway, Off-Broadway and Off Off-Broadway shows and theatre lovers in general to hear all-star rosters of actors, directors, playwrights, producers and other theatre artists discuss the problems and rewards of working in the theatre. The workshops are held at the Graduate Center of the City University of New York and PLAYBILL presents here some quotable quotes from past seminars.

SWOOSIE KURTZ: "I wanted to be a dancer -- a prima ballerina, of course. But I had a drama teacher in high school -- there's always someone who lights the fire for you -- and something happened with acting. It made me feel important."

LORETTA SWIT: "I started as a dancer and to this day I have to take two different sized shoes because I crippled myself in dance class. We act with our entire body. Dance is good basic training for that."

ANN REINKING: "As a dancer, there's no way to get into top shape unless you dance every night. It's the same way as an actor or singer, there's no way to get into a kind of excellence, a kind of mental situation unless you're right up there putting your cards on the table. It's a sublime experience and one that I don't think can be duplicated. But if you don't have that opportunity, you should study. There are shools that can teach you what you should know, when you are starting." 

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O'NEILL EXHIBIT
[[image 1: photo of man and woman standing together]]
[[image 2: portrait photo of man in suit]]
[[image 3: photo of 3 men in room]]
Launching a year's celebration of the centennial of Eugene O'Neill's birth, the Museum of the City of New York (5th Ave. and 103rd St.) is exhibiting a pictorial tribute to America's most honored playwright. The Face of Genius: Images of Eugene O'Neil, portraying both his public and private face, runs Oct. 16 through May 8, 1988.
[[captions:
Above: (1) O'Neill and his third wife, former actress Carlotta Monterey O'Neill; (r) O'Neill in a studio shot by Nickolas Muray from 1926.
Right: (l-r) Robert Edmond Jones, Kenneth Macgowan, and O'Neill studying some of Jones's scenic designs.

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