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304. PREHISTORIC POTTERY AND CIVILIZATION IN EGYPT by Max Raphael. An analysis of handcrafts in the Nile Valley as a key to early Egyptian culture. 36 ill. ...... $7.50

305.  MYTHS AND SYMBOLS IN INDIAN ART AND CIVILIZATION by Heinrich Zimmer. Edited by Joseph Campbell. Legends and myths of the Sanskrit classics in relation to Indian art and religion. 70 ill. ...... $4.50

306. PSYCHOLOGY OF ART by Andre Malraux. A discussion of contemporary problems of art, in the light of history and of the artist's impulse. Translated by Stuart Gilbert, 2 vols., 220 ill., 36 in color ...... $25.00

307. MODERN ART IN THE MAKING by Bernard Myer. A nontechnical explanation of the hows and whys of modern art. Dr. Myers shows how modern art of today grew out of earlier schools of painting. 218 excellent halftone and 6 four-color ill. 457 pp., 7 1/4 x 9 7/8 ...... $7.00

308. PRINCIPLES OF COLOR AND COLOR MIXING by J. H. Bustanoby. Exceptionally useful guide for identifying standard hues, tones and shades. 242 formulas for mixing. 131 pp. 7 3/4 x 9 7/8 ill. (1947) ...... $4.50

309. SCULPTURE THROUGH THE AGES by Lincoln Rothschild. Foreword by Paul Manship. 279 pp., 9x12, 123 full page plates (1942) ...... $9.00

310. THE ART OF COLOR AND DESIGN by Maitland Graves. 292 pp., 7 1/8 x 9 3/4, over 100 plates (1941) ...... $4.50

311. THE ARTS AND MAN by Raymond S. Stites. 872 pp., 7¾x10½, 1008 ill. (1940) ...... $9.00

University Prints

312. GREEK AND ROMAN SCULPTURE, 535 prints ...... $8.03

313. EARLY ITALIAN ART, 524 prints ...... $7.86

314. LATER ITALIAN ART, 511 prints ...... $7.67

315. NETHERLANDS AND GERMANY, 519 prints ...... $7.79

316. FRENCH AND SPANISH ART, 399 prints ...... $5.99

317. BRITISH PAINTING, 170 prints ...... $2.55

318. EUROPEAN ARCHITECTURE, 588 prints ...... $8.82

319. MODERN ARCHITECTURE, 271 prints ...... $4.09

320. AMERICAN ART, 272 prints ...... $4.08

321. MEDIEVAL ART, 171 prints ...... $2.57

322. WOODCUTS AND ENGRAVINGS, 120 prints ...... $1.80

323. PRE-GREEK ART, 156 prints ...... $2.34

324. ORIENTAL ART, 600 prints (in 4 sections) ...... $9.00

325. ART IN AMERICAN COLLECTIONS, 195 prints (in 2 sections) ...... $2.90

326. HISTORY OF PAINTING, 107 prints in color ...... $4.25

Museum of Modern Art Books

327. PIERRE BONNARD by John Rewald. 152 pp., 114 plates, 5 in color. Development from first designs for posters to oils of 1947. Chronology, extensive bibliography ...... $5.00

328. MIES VAN DER ROHE by Philip C. Johnson. A complete analysis and appreciation together with all his own writings. 208 pp., 190 plates ...... $7.50

329. HENRY MOORE by James Sweeney. Graphic history of Moore's development. 96 pp., 85 ill., 4 in color ...... $3.00

330. FANTASTIC ART, DADA SURREALISM edited by Alfred H. Barr, Jr. with essays by Georges Hugnet. Fantastic art from the 15th Century to World War I, work of 20th Century pioneers, fantastic architecture, etc. 262 pp., 222 ill. ...... $6.00

331. ARTS OF THE SOUTH SEAS by Linton, Wingert, d'Harnoncourt. 196 pp., 200 ill., 4 in full color ...... $5.00

332. PICASSO: FIFTY YEARS OF HIS ART by Alfred H. Barr, Jr. 312 pp., 330 ill. in black and white and color ...... $6.00

333. HISTORY OF IMPRESSIONISM by John Rewald. 448 pp., 475 ill., 22 in color ....... $10.00

334. BRIDGES by Elizabeth Mock. ...The history of stone, metal, wood and reinforced concrete bridges, in terms of their artistic value. 128 pp., 170 ill. .... $5.00

335. FRANKLIN WATKINS by Andrew C. Ritchie. 48. pp., 42 ill. 2 in color ...... $1.00

336. CHARLES DEMUTH by Andrew C. Ritchie. 96 pp., 63 ill., 2 in color ...... $2.50

British Books

337. LATE SAXON AND VIKING ART by T. D. Kendrick. 148 pp., 101 halftone & 21 line ill., 5½x8½ ...... $7.50

338. ROWLANDSON DRAWINGS with text by Adrian Bury. 96 pp., 82 collotype ill. bibliography. 8¾x11½ ...... $5.75

339. VAN MEEGEREN'S FAKED VERMEERS AND DE HOOGHS by P. Coremans. 40 pp., 75 plates in color and halftone, numerous drawings and diagrams. 8x10½ ....... $6.75

340. CAMERA STUDIES OF DUTCH MASTER PAINTINGS by A. Van Schendel, Curator of Rijksmuseum, Amsterdam. Intro. 152 full pages. ill. index. 10x12½ ....... $6.75

341. CAMERA STUDIES OF EUROPEAN SCULPTURE AND CRAFTSMANSHIP by Th.H Lunsingh Scheuleer. Intro., 96 full page ill. 10x12½ ...... $7.00

342. TOWARDS A NEW ARCHITECTURE by Le Corbusier. 272 pp., numerous halftone and line drawings by author. 8½ x 5 5/8 ...... $3.75

343. THE CITY OF TOMORROW by Le Corbusier. 312 pp., numerous ill. 8½ x 5 5/8 ...... $3.75

344. THE ARCHAEOLOGY OF IRELAND by R. A. S. Macalistair. 386 pp., index, 16 plates 39 ill. in text. A comprehensive and authoritative survey from the Stone Age to Art of Early Christianity ...... $6.75

345. JAN VERMEER VAN DELFT by A. B. DeVries. 73 color and monochrome ill. 8x11 ...... $8.50

346. CHINESE ART: An Introductory Handbook to Painting, Sculpture, Ceramics, Textiles, Bronzes, and Minor Arts by Roger Fry, Bernard Rackham, L. Binyon A. Kendrick, O. Siren, W. Winkworth. 4th ed. 23 plates in color, 62 halftones $4.50

Oxford University Press Books

347. MECHANIZATION TAKES COMMAND by S. Giedion. 768 pp., 501 ill. ...... $12.50

348. STILL LIFE PAINTING IN AMERICA by W. Born. 168 pp., 134 ill. ...... $7.50

349. TREASURY OF AMERICAN DRAWINGS by R. Shoolman & C. E. Slatkin. 52. pp., 128 ill. ...... $7.50

350. INTRODUCTION TO CHINESE ART AND HISTORY by A. Silcock. 268 pp., 51 ill. ...... $5.00

351. ART IN MEDIAEVAL FRANCE. A Study in Patronage, by Joan Evans. A singularly happy combination of art and social history. 281 plates, 11 diagrams, 317 pp. ...... $17.50

352. HISTORY OF WORLD ART by Everard M. Upjohn, Paul S. Wingert and Jane G. Mahler. 896 pp., 313 ill., tables, index, maps, 6x9 ...... $6.00

353. ARCHAIC GREEK ART by Gisela M. A. Richter. 226. pp., 107 plates containing over 330 halftones ...... $12.50

354. SIX CENTURIES OF FRENCH MASTER DRAWINGS IN AMERICA by Shoolman & Slatkin 284 pp., 145 plates, color frontispiece ...... $7.50

355. LAYMANS GUIDE TO MODERN ART by Bartlett H. Hayes. Photos and paintings from an exhibition at Addison Gallery

Transcription Notes:
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Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact transcribe@si.edu.