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3.

Philippe Verdier, The Walters Art Gallery. 
Early Monuments of the Coronation of the Virgin in French Sculpture of the XII Century

A. Dean McKenzie, New York University.
The New Solomon and the Virgin Mary: An Iconographic Development

CAA  EXPRESSIONISM. ABSTRACTION, AND THE NEW IMAGE.
Hotel Leamington.
Chairman: H.H. Arnason, Walker Art Center.

Panelists:  George McNeil, Painter, Pratt Institute.
Abstract Expressionism 1961
George Oeri, Parsons School of Design.
The New Geometry
Theodore Roszak, Sculptor, New York City. 
Bernard Arnest, Painter, Colorado College. 
The New Image
Richard Stankiewicz, Sculptor, New York City. 
The New Image and the New Dada
Andrew C. Ritchie, Yale University Gallery. 
Summation

SAH  EXTRA-EUROPEAN INFLUENCES ON NINETEENTH-CENTURY ARCHITECTURE. Hotel Leamington.

Chairman: Henry-Russell Hitchcock, Smith College.

FRIDAY AFTERNOON

12:00  SAH: Luncheon and Business Meeting. Book Award.

12:00  The National Committee for the History of Art. Luncheon Meeting. 

2:30 - 4:30
CAA  ORIENTAL ART. Hotel Leamington. 

Chairman: Richard Edwards, University of Michigan.

Speakers: John F. Haskins, Columbia University. 
Bronzes from Shih-chai-shan, Yunnan, 176-118 B.C.
Nelson I Wu, Yale University.
(Title to be announced)
Prudence Myer, Newcomb College, Tulane University.
Indian Sculpture
Alexander C. Soper, New York University.
A Little-known Painting Fragment in the Stein Collection from Tun-huang
Martie Young, Cornell University.
Archaism in the Painting of Ch-iu Ying

CAA  A CRITICAL APPARATUS FOR CONTEMPORARY PAINTING.
Hotel Leamington.
Chairman: George McNeil, Pratt Institute.

Panelists: Herschel B. Chipp, University of California, Berkeley 
Alan Katrow, Rutgers University
Two additional Panelists to be Announced. 

3:00 - 5:00
SAH  GENERAL SESSION. Hotel Leamington.

Chairman: J. D. Forbes, University of Virginia.
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact transcribe@si.edu.