Viewing page 1 of 8
It looks like you're using a mobile device. We recommend using a physical keyboard for transcription entry.
Interview over WNYC Art Festival 3.30 p.m., October 16th, 1951 [[underlined]] Question: [[/underlined]] What is the relationship of avant-garde (meaning "ahead of this day" art) to your gallery? [[underlined]] Answer: [[/underlined]] I personally object to the word the way it is used today and the career that has been made of it. I am not as interested in the avant-garde as in [[underlined]] Art[[/underlined]]. To me, the word is confusing. But I would like to explain the basis on which I have chosen these artists; my real conviction about them is, that they have created a world truly related to life, rather than follow the historical trends of art, notions of tradition, and conventional ways of living. I feel that this work can only be achieved by a mature mind. The adolescent cannot integrate. Only the mature can make a real history of the living. The adolescent is involved in imitation of styles, modes, fashions of modern art, which produce pictures that may have great style but are devoid of content. [[underlined]] Question: [[/underlined]] The charge against these men is that you have made a place where they live in an ivory tower. [[underlined]] Answer: [[/underlined]] This is completely wrong. These artists are establishing a relationship with the world through their own experience, and I have made a place where their expression can exist. That the strength of this liberation is so important, so vital, in a world where we see freedom being submerged all around us, is adequate compensation for my commitment. And this is why I am involved. But on the other hand, I should not be the only one; I would like to make the work of these men available to all, so that each will really understand [[underlined]] liberation[[/underlined]]! I don't feel that by doing this that I am carrying a special torch - this freedom of the spirit has always existed, and my devotion to it and presentation of it to the public is a simple human act, and all I am asking of the public is to come - and if they can feel these pictures, and when they do, to act on the basis of their own feeling, with courage. I think their work has messages for all, and can be part of any man's life.
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact firstname.lastname@example.org.