Viewing page 4 of 79

Benares - Clark's Hotel
Calcutta - Great Eastern 6.00 single includes meals & tea.
New Delhi - Imperial 6.00
Tel Aviv - [[strikethrough]] Sharon [[/strikethrough]] (Israli Garden) Garcon - 
Athens - King George
Jerusalem - King David
Haifa - Megiddo
Jerusalem - President Hotel 
Rome - Flora or Ambassador (Excelsior)
Athens - Hotel Grande Bretagne
Istanbul - Park Hotel
Nice - Royal
Madrid - [[strikethrough]] Ritz [[/strikethrough]] Palace 6.25 daily - Eur. Plan - Room only.
Barcelona - Rita - 5.00 daily - Amer. plan with food.
Lisbon - Hotel Imperio - 6.00 Amer. with food
(Side trip
(Toledo - House of El Greco, Cathedral Church of Savés Tomé, Jewish [[strikethrough]] Cathedral [[/strikethrough]] Synagogue.
El Escorial - monastery palace, Avila The walled in city.
Barcelona - Gotten Cathedral, Monastery of Moutsence 
Bull fights (For Madrid typical daily - La Taberna Gitana -

Bermuda - Elbow Beach Surf Club. $14.-23.00 Amer. plan or Princess Hotel & Cottages & Belmont Manor -

Cable Natecon - Rangoon
Delivery 24 Cheape Road [[marginalia]] 1/75 [[/marginalia]]

{Rena Proza - Sec. to Israel Embassy
{Mr. Sasoon - Israeli Minister.

U hu - oil 31 x 46
U hu - Black & white 32x45 charcoal
Mrs. Patricia Gor-Bootes oil 20x24
Mr. Jospeh (Beata) Welsing 24x24 - charcoal
Anne Welsing, 24x24 charcoal
David & Bradea Hacohen 20x24 - wash -
Bradea Hacohen 20x24 charcoal
Robert Nathan 20x24 charcoal
Mrs. Macarther (Tamara) Carruen 24x24 charcoal, watercolor.
Mr. Andre Nicoleter, 20x24, charcoal
Dorothy & children, oil, 30x40
Miss Mary Caudle oil, 27 1/2x39 1/2
Lucy Hla Maung oil, 29 1/2x39 1/2
Marion and Louisa, 24x24 charcoal.
Rose Tun Tha 20x24 charcoal 

Transcription Notes:
Removed end page & start page per new transcribing guidelines

Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact