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The advantages of going to the source.

We're the source. Fortunoff. We don't sell you jewelry the way other people do. We invented our own way.

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A way that saves you more money, and gives you a bigger selection than you'll find anywhere else.

Our way.

We have our own people all over the world. Our own buyers. Our own agents. 
We have crates filled with pearls coming to us straight from Japan. Crates of ivory from East Africa. 
We have every famous brand name of silver you've ever heard of. And many you haven't.

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But, we don't stop there. If we want something beautiful that doesn't exist, we'll design it and manufacture it ourselves. So not only do you get an incredible selection, but you get terrific prices.
And, because we're so big, we can also give you great prices on name brands.

We import.
We've spent years finding out where the best things in the world come from. And we have special people in all those places.
We design. And manufacture.
We have our own designers, too. Designers who spend all day turning beautiful jewels into beautiful jewelry. And flatware. And holloware, too.
Then we manufacture it ourselves, so we not only keep prices down, we get the high quality we demand.

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We're a worldwide bazaar.
You'll probably be slightly amazed when you

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walk into our store. You'll see thousands upon thousands of glowing, sparkling, shining things. 
It's like an international marketplace.
We have it all.
We have more wonderful things than you ever imagined. Everything from silver goblets to gold watches to black onyx rings to pewter flatware to diamond solitaires to sterling diaper pins and gold chains. It just goes on and on and on.
Come to the source.
Now that you know what we do, come experience it for yourself.
You've never experienced anything like it. 
Not until you've gone to Fortunoff. Not until you've gone to the source.

Fortunoff,
the source.

WESTBURY,L.I. 1300 Old Country Road at the Raceway. • NEW YORK, 124 East 57th Street between Park and Lex. 
PARAMUS, N.J. Paramus Park Mall between Route #17 and Garden State Parkway.

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WHO'S WHO

ATHOL FUGARD was born in Middelburg, South Africa, in 1932. He was educated at Port Elizabeth Technical College as a motor mechanic and at the University of Cape Town in philosophy. The following three years, he spent in the Merchant Marine in the Far East. His first serious involvement in the theatre started in 1959 in his play No-Good Friday. Since then he has written several plays which have all been produced in South Africa: Non-gogo, Blood Knot, People Are Living There, Boesman and Lena, Hello and Goodbye. Mille Miglia was produced for BBC television. For the last ten years he has been involved with the Serpent Players, a group of aspirant African actors from New Brighton, Port Elizabeth, who approached him for advice and assistance in forming a drama group. Over those years they have together conducted a series of experiments in "play-making", the main object of which has been to articulate a response to the realities of the South African scene. Sizwe Banzi is Dead and The Island were products of these experiments in play-making.

JOHN KANI and WINSTON NTSHONA have been acting together since their school days. Both are native South Africans and central figures in Serpent Players, the theatre group from which these plays, and others have grown. With Serpent Players, these men have performed, in addition to original scripts, classics by Brecht, Strindberg, Euripedes and Sophocles, contemporary plays such as Deathwatch and The Just; and works by African playwrights, among them Wole Solyinka's The Trails of Brother Jero. Mr. Kani joined Serpent Players in 1966, five years after its founding. Mr. Ntshona became part of the group in 1967. With the Serpent Players they have performed numerous plays in various parts of South African and appeared at the African Drama Festival in Durban. Because 'artist' is not accepted as an employment category for South African blacks, they, like all other members of Serpent Players, rehearsed, performed, and conducted their workshops after regular working hours. As the reputation of the group grew, requests for their performances increased and stretched

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A wine with a character all its own.

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