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AT THIS THEATRE

[[image - photograph of a theatre, by Stan Stark]] 
[[caption]] THE PLYMOUTH [[/caption]]

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STAN STARK
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The Plymouth opened October 10, 1917 with William Gillette in A Successful Calamity. The next Plymouth success was Redemption, starring John Barrymore. John was back with brother Lionel in 1919 in The Jest. In 1924 What Price Glory? started a new wave of realism and salty dialogue. Laurette Taylor graced Philip Barry's In A Garden in 1925; Barbara Stanwyck and Hal Skelly scored in Burlesque (1927); Zita Johann and a young Clark Gable appeared in Machinal, a surrealistic play based on the sensational Snyder-Gray murder case (1928); Philip Barry returned with his scintillating high comedy, Holiday, starring Hope Williams.

Some notable productions played the theatre during the 1930's. Paul Muni was hailed in Elmer Rice's Counsellor-At-Law (1931); Roland Young, Elizabeth Patterson, Laura Hope Crews and Frances Fuller garnered laughs in Her Master's Voice (1933); Tallulah Bankhead had a brain tumor in Dark Victory (1934); Constance Cummings was captivating in Accent On Youth (1934); Pride and Prejudice proved a brilliant adaptation of Jane Austen's novel (1935); Italian star Marta Abba made a dazzling U.S. debut with John Halliday in Tovarich (1936); Gertrude Lawrence scored one of her biggest hits in Susan and God with Nancy Kelly as her daughter (1937); Raymond Massey enthralled in Robert E. Sherwood's Pulitzer Prize-winning, Abe Lincoln In Illinois (1938); and the decade came to a riotous close with Clare Boothe's Margin For Error, starring Sam Levene.


Seventy-three producers had found Thornton Wilder's The Skin of Our Teeth too hot to handle, but with a cast that included Fredric March, Tallulah Bankhead, Florence Eldridge and young Montgomery Clift, it was the sensation of the season.

The 50's included such productions as a reading of Don Juan in Hell; Dial M for Murder; Michael Redgrave in Tiger at the Gates; Romanoff and Juliet.

The 60's opened with Irma la Douce. Fredric March was back in Paddy Chayefsky's Gideon. Tchin-Tchin, in October 1962, starred Anthony Quinn and Margaret Leighton. A series of British imports began next that included Sidney Michaels' Dylan, starring Alec Guinness and Kate Reid.

The Odd Couple appeared on March 10, 1965. Mike Nichols directed and Art Carney and Walter Matthau starred. On February 14, 1968, Simon had another comic valentine for Plymouth audiences - Plaza Suite, starring Maureen Stapleton and George C. Scott.

In December of 1970, Simon's first serious drama appeared at the Plymouth - The Gingerbread Lady, again starring Maureen Stapleton. The 1971-72 season presented Sada Thompson who won the Tony for her performance in George Furth's Twigs. Peter Shaffer's stirring drama, Equus, opened at the Plymouth in October 1974, starring Anthony Hopkins. Later in the run, the lead role was played by Anthony Perkins, followed by Richard Burton. In 1977 Tom Courtenay was a big hit in Otherwise Engaged. Runaways, the Elizabeth Swados musical, moved from the Public Theater to the Plymouth in 1978; Ain't Misbehavin' moved in from the Longacre in 1979; and Nicholas Nickleby triumphed in 1981. Most recent hits: Piaf, Plenty, You Can't Take It With You, The Real Thing, Lily Tomlin's one-woman show, Pygmalion, Burn This, The Heidi Chronicles and The Big Love.

Space limitations prevent us from mentioning all the productions which have played this theatre.

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PLAYBILL®
THE NATIONAL THEATRE MAGAZINE
MARCH 1993    Vol. 93 No. 3

4. At this Theatre
6. Rodgers & Hammerstein
by Louis Botto
8. Serious Laughter
by Mervyn Rothstein
16. Mary Steenburgen by Harry Haun
20. Dear Playbill by Louis Botto
23. ONSTAGE
40. Theatre Scenes
47. Notes From The League
48. A Theatregoer's Notebook
by Kathy Henderson
50. Fashion Forest by Bernadine Morris
52. Hot Tickets
54. Spotlight on Karl Lagerfeld
by Amy C. Pershing
56. Celebrity Choice/After Theatre
by Bob Edison
57. Playbill Dining & Entertainment Guide
62. Passing Stages by Louis Botto
63. How Many Have You Seen?
66. London Ticket by Sheridan Morley

Joan Alleman, editor-in-chief
Judy Samelson, managing editor
Louis Botto senior editor
Andrew Gans assistant editor
Norma Adler program editor
Liz Wollman program editor

Advertising Sales- 52 Vanderbilt Ave., 11th Floor,
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Arthur T. Birsh, publisher
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Susan Maebert production manager
Oldyna Dynowska, communications

PLAYBILL® is a registered trademark of Playbill Incorporated © Copyright 1993. Reproduction in whole or part without permission is prohibited. Licensed Theater Editions: Boston, Dallas, Florida and Philadelphia/Baltimore. New York edition of Playbill is published by Playbill Incorporated, 52 Vanderbilt Ave., New York, N.Y. 10017. 212-557-5757. President: Arthur T. Birsh; Treasurer: Russell Cannizzaro; Secretary: Theodore P. Halperin.  Printed in U.S.A.

PLAYBILL®- The National Magazine of the Theatre, available monthly to subscribers for $24 per year (U.S.); $31 (outside U.S.). Opening Night service and current issues available. Inquire for details.


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