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[[2 columned table]]
| --- | --- |

| Stevenson, Louis W. | 579, 83 208, 209, 481, 483, 484, 485, 486, 487, 40, 489, 490, 491, 492, 493, 494*, 463, 464, 465, 467, 468, 469, 470, 472, 494, 475, 476, 477, 478, 479, 480, 34, 432. |
| Sutton, Fred. | 463, 473. |
| Schmidt, Chas. | 463, 464, 466. |
Still, [[?]] | 463, 468, 470, 472, 478, 479, 141, 142, 465, 481, 112, 488, 489, 490, 505.
Sweeney, Henry | 465, 466.
Stein berg, Otto F. | 468.
Stevenson, John O. | 466, 491, 495, 499, 47, 223, 500, 501, 62, 502, 536, 508, 537, 538.
Stoddard, E. S. | 466.
Saxton, S. Willard | 467.
Sinclair, Wm H. | 467, 468, 469, 470, 471, 472, 473, 474, 475, 476,478, 480, 481, 168, 202, 208.  585, 37, 482, 504, 39, 45
Smith, Harriet | 468, 235, 470, 481, 484, 485, 490, 492, 497.
Scarlett, Jas. D. | 470, 471, 472, 473, 474, 478, 198, 255, 371, 481, 484, 487, 488, 314, 491, 492. *
San Antonio Express | 474.
Sloan, R. | 476, 430, 481, 482, 483, 485, 490, 492, 148, 501, 502, 502, 51, 537, 538.
Scott, Ammon| 477, 480.
Skinner, K. W. | 477, 432.
Shelton, R. J. | 479.
Scott, David, G. | 479, 481, 483, 484, 486, 488, 492, 496, 500, 536.
Schermack, G. | 479, 483, 485, 486, 488, 489, 491, 492, 494, 497, 537.
Schluter F.A. | 479, 480, 483.
Skinner, Sarah | 480, 495, 499, 536.
Shaw, Isabella | 480, 481, 142, 143, 144, 486.
Stockbridge, J.J. | 481.
Saunders, John | 82.
Salmon, Thos. | 167.
Schokey, Geo. W. | 206, 581, 481, 483, 486, 40, 493, 591. 
Stevenson, J. L. | 144, 496.
Scales , Smart | 433.
Shepherd, O. L. | 482.
Stone, Wm. B. | 58. 

[[right margin]] STUVWXYZ

Transcription Notes:
I wasn't sure whether the line under "Sinclair, W. H." was also for Sinclair, or for a nameless entry, but I created a new entry for that line of numbers. Also, the stars on the page are denoted as asterisks (*). I think the name listed as Scales, Smart in above transcription should actually be noted as Seales, Smart. It looks like an e, not a c. ^Disagree. While it looks like an e, observe that all the other e's in this person's handwriting are distinctly sloped upward, while c's follow the same pattern as in Scales, the curlique is just pulled in further Scott Ammon/Amnon