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issue #26  High Performance

The Woman's Building

is now accepting performance proposals for 1985.

The Woman's Building Curatorial Committee
1727 N. Spring St.
Los Angeles, CA 90012
213/221-6161

The Orwell Memorial

The Orwell Memorial Art Space 
a collaborative project for 1984
240 S. Broadway, 5th Floor
Los Angeles, CA 90012
(213) 687-7362

AAA ART  MICHAEL SALERNO

LAADA
LOS ANGELES AREA DANCE ALLIANCE
at the Pilot Theatre

The Los Angeles Area Dance Alliance, now operating the Pilot Theatre, is available for Dance, Theatre, Music, Performance, Video, Rehearsals, Workshops, Classes.

6600 Santa Monica Blvd., L.A., CA 90038. (213) 465-1100.

[[2 images]]
Video Data BAnk

On Art and Artists: A collection of 200 videotaped interviews, performances, documentations, and experimental forums with artists and critics. Annotated catalog $2.

Video Tape Review: A collection of 200 video art works which reflect both early video aesthetics and state-of-the-art advancements in video technology. Annotated catalog free.

For more information: Video Data Bank, School of the Art Institute of Chicago, Columbus Drive at Jackson Boulevard, Chicago, Illinois 60603, 312/443-3793.

MORE PRODUCTIONS, INC
c/o Steppin' Out, Suite 214
710 Peachtree St., Atlanta, GA 30308

We'll be booking in a variety of venues in the Atlanta area from studio performances to live hall concerts.

S.E. Tours Arranged
(404) 801-0545
Ian McColl

Beyond Baroque
LITERARY/ARTS CENTER

Readings/Performance/Music/Exhibitions/Literary Bookstore/Library
Since 1969

681 Venice Boulevard Venice CA 90291 (213) 822-3006

FRANKLIN FURNACE
Weekly Performances
Archive for Artists Books
Multi-media Installations

112 FRANKLIN ST.
NEW YORK, N.Y. 10013
212-925-4671
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact transcribe@si.edu.