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installation, I tried to make very slick, because that was the contrast between the emerging countries and the developing countries. [[strikethrough]] And [[/strikethrough]] in the piece, I am sitting in a chair watching what's happening on the television. So you have to more or less use your imagination to know the context. This is not a documentary, its not pretending to be a documentary, I'm not part of the documentary video makers, but this was done in this setting as part of the installation.

As it happens, this piece could be seen as a separate unit because of the subject matter. You know, Evita is a very powerful figure and is still a very powerful figure in the history of Argentina and the history of the whole world. It is really amazing what happened in that period in Argentina [[strikethrough]], and a subject that can develop into a very interesting conversation [[/strikethrough]]. So let's let's see [[italics]] Evita. A Video Scrapbook. [[/italics]]

[[bold]][[italics]] /Screening of video/ [[/bold]][[/italics]]
[[bold]] Moderator: [[/bold]] Questions?
[[bold]] Audience: [[/bold]] Did you see the [[italics]] Evita [[/italics]] the movie with Madonna?
[[bold]] JD: [[/bold]] Yes.
[[bold]] Audience: [[/bold]] Was it as good to you?
[[bold]] JD: [[/bold]] It's a Hollywood movie and, you know, Madonna is very sexy.
[[bold]] Audience: [[/bold]] How do you feel about Argentinean cinema today?
[[bold]] JD: [[/bold]] Argentinian films are having an impact in the global film style, but it's not being really appreciated in Argentina. This is still the same thing, because even in 1984 or 1964 or in 1900, when other countries started inventing Argentina, a country that has one foot in Europe and the other foot in Latin America, there was not a sense that we have our own rules and we

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