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Goldman    

NOTES

in Santa Fe: The Plasterers (n.d.) is in the collection of the University of Arizona Museum of Art, Tucson.  Both are reproduced in The New Deal in the Southwest, pp. 48 and 57.  A photograph of New Mexican women plastering a house appears in E. Boyd, Popular Arts of Spanish New Mexico, p. 4.
44. See Hispanic Crafts of the Southwest and Charles L. Briggs, The Wood Carvers of Córdova, New Mexico in which pp. 36-98 deal with Anglo patronage and the resulting modification of local art forms.  The number of women involved in crafts production can be seen in Hispanic Crafts, p. 97-114.
45.  Margo McBane, The History of California Agriculture, no pagination.
46.  One of the most important visual sources of Mexican women in agriculture is Dorothea Lange's photographs for the Farm Security Administration.
47.  Michael Wilson and Deborah Silverton Rosenfelt, Salt of the Earth. Rosenfelt's "Commentary" gives a good account of the strike, the making of the film, and the lasting effects (if any) of the women's struggle.  She approaches Salt from a feminist point of view, and revisited the strike participants in 1975 for a "post mortem."
48.  For her history see Olga Sanchez, "Lucía Gonzales de Parsons: Labor Organizer," in Imágenes de la Chicana, pp. 10-12.
49.  Kay Mills, "The Great Wall of Los Angeles," Ms. Magazine (October 1981):66.  Also see a well-illustrated review of the mural in Carrie Rickey, "The Writing on the Wall," Art in America 69, No. 5 (May 1981):54-57.
50.  Cited in Rodolfo Acuña, Occupied America, p. 235
51.  450 Years of Chicano History (in Pictures), p. 100.

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