This transcription has been completed. Contact us with corrections.
Peter Frank, "Prepositional Space," The Village Voice, OCt. 2, 1978, p.12. Ruth Askey, "Double X Curates Women's Show," Artweek, July 29, 1978, p.4 William Wilson, "Sculpture with a Poetic Fiber," Los Angeles Times, Aug.16, 1976, Part IV, p.6. SELECTED CATALOGUES Cindy Kelly, Sculpture at Evergreen, Evergreen House, the Johns Hopkins University, Baltimore, MD., 2000 Mary E. Murray, The Garden Path: Mediating Nature and Culture, Stone Quarry Hill Art Park, Cazenovia, New York, 1998. Susana Torre, Footfalls, Site Specific Sculptures, "Footfalls 98: Mapping the Walk," Greenport, New York, 1998. Judy Collischan, Ph.D., Neuberger Museum of Art 1997 Biennial Exhibition of Public Art, Purchase College, State University of New York, 1997. Ann Cohen De Pietro, Eight by Eight, Heckscher Museum of Art, Huntington, NY, 1997. Marcia Tucker, Twentieth Century American Sculpture at the White House, Exhibition IV, The White House, Washington, D.C., 1996. Carl E. Hazlewood, Guest Curator, Required Nuance: Three Contemporary Sculptors, The Studio Museum in Harlem, New York, NY, 1995. Dr. Judy Collischan, Exhibition Director and Noah Jemisin, Exhibition Curator, Rainbow: Prints from Bob Blackburn's Printmaking Workshop, A Cultural Presentation of the United States of America, Printmaking Workshop, New York, NY, 1994, pp. 48. Constance W. Glenn, ed., Reconfiguring Boundaries/Defining Spaces, "Insite/Centric," University Art Museum, California State University, Long Beach, CA, 1994, pp. 6-9. Hatch-Billops Collection, Artist and Influence, Lorraine O'Grady, interviewer, March 12, 1993, pp. 20-32. Elaine A. King, Five Artists at the Airport. Insights into Public Art from the show of the same name at the Wood Street Galleries of the Pittsburgh Cultural Trust, Pittsburgh, PA, 1992. Christina M. Strassfield, "Volume: 6 Contemporary Sculptors," from the show of the same name at Guild Hall Museum, East Hampton, NY, 1992. Maurice Berger, Environmental Terror, from show of the same name at the University of Maryland, Baltimore, MD, 1992. Judy Collischan Van Wagner, Maren Hassinger, published by Long Island University, C.W. Post Campus, Hillwood Art Gallery, 1991, 48 pages. Peraza, Tucker & Conwill, The Decade Show, from show of the same name at the Museum of Contemporary Art and The Studio Museum in Harlem, 1990, p. XXXIII. Robert L. Douglas, African American Contemporary Art, from show of the same name at Universita di Palemo, Cibellina, Museo Civico d'Arte Contemporanea, 1990, pp. 78-79. Beryl Wright, The Appropriate Object from show of the same name, Albright-Knox Gallery, Buffalo, NY, Detroit Institute of the Arts, Detroit, MI, San Jose Museum of Art, San Jose, CA, J. B. Speed Museum, Loisville, KY, 1989, pp. 1, 12-19.
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact email@example.com.