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Page 5 "Black Continuities in the Harlem Renaissance," co-authored with John Adkins Richardson, Papers on Language and Literature, Vol. 12. No. 4, Fall, 1976. "African Influences on Black American Art, "Black Art: An International Quarterly, Vol. 1, No. 1, Fall, 1976. "Subtle and Fantastic Forms from Oceania," review essay, St. Louis Post-Dispatch, August 24, 1975. SELECTED PAPERS PRESENTED "Transformations and Transcendence: Some Refections on the Art of Leon Hicks," Department of Art, Webster University, St. Louis, Missouri, March 5, 1999. "Elizabeth Catlett and the Development of Art Programs at Historically Black Colleges," College Art Association of America, New York, 1997. "African American Modernist Art Since the Harlem Renaissance," lecture, Smithsonian Associates, Washington, D.C., February 18, 1997. "From the Margins to the Center: The Development of African American Art Since the Nineteenth Century," 1991 Edward Stone Akeley Lecture, Greater Lafayette Museum of Art, Lafayette, Indiana, March 20, 1991. "The Curatorial Vision: African American Art Since the 1970s," The 2nd Annual James A. Porter Colloquium on African American Art, Howard University, April 6, 1991. "Defining the Canon: Afrocentricism and Recent African American Art," Great Lakes Colleges Association Black Studies Conference, Depauw University, Greencastle, Indiana, April 21, 1991. "Understanding African American Art and Popular Culture: Forging a Cultural Memory," paper presented at One-Third of a Nation Conference, Howard University, Washington, D.C., November 9, 1989. "A Prolegomenon to an African American Visual Arts Agenda: Survival Motions for the Future of NCA," 31st Annual Meeting of the National Conference of Artists, New Orleans, Louisiana, March 23-25, 1989. "They Didn't Take the Train North: African American Image Makers of the South," National Symposium on the Great Migration, 1915 to the Present, Margaret Walker Alexander Research Center, Jackson State University, Jackson, Mississippi, September 14-15, 1989.