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14.
I would like to ask if pointed writting could have been negatively produce spaces if documents exhibit follow 1968 of other artist's work

"Even people can be used.
People can even be tied to backdrops.
People can even appear actively,
even in their everyday position..."

--The Dada Painters and Poets
(New York: Wittenborn, Schaltz, Inc. 1951)

See other writting on happening -lecture New York Universities 1968 Attachment 

I would appreciate to be told the reason of having to go through all this or what was the purpose of such environment, or if it is your sincere opinion that this is what I deserved and deserve.

In brief, everything was "CONDITIONED", "CONTROLLED" AND "ENCLOSED", "PROGRAMMED" "ORGANIZED CRIME OF .............. ANTIAMERICAN PROPAGANDA", TO QUOTE FROM SAM HUNTER'S BOOK ............... ON MY THOUGHTS ON "TIMES SQUARE" "THE VULGARITY OF AMERICA AS SEEN IN THE LIGHTS OF 'TIMES SQUARE' IS POETIC, EXTREMELY POETIC. A FOREIGNER CAN OBSERVE THIS, DESCRIBE THIS, [[?]] [AMERICANS] FEEL IT."! [[strikethrough]] or [[?]] those experiences hallucinations or [[?]] [[/strikethrough]]

I would appreciate if you would let me know if all such experiences were hallucinations or .................... drug abuse. As for antiamerican remarks is your sincere believe that such remarks portray my feelings for America? 

There was no way out of Leverkusen Factory, Germany. That was "CAUSED because of my responsible attitude to try to do always the best I can in everything I do. What caused the DELAYS and perhaps even psychological traumas were wooden cases, actually a great number of them [[strikethrough]] that were delivered at Leverkusen Factory, damaged and in an unusable condition. (The carpenter was reccommended [[recommended]] by colleague Mary Baumeister, Cologne, Germany) I was to make 26 multiples for the publication of the "Chryssa" book by Harry N. Abrams, publication, New York.

I had to [[strikethrough]] stay much longer than I had originally planned perhaps because otherwise my "self ability" in hand made sculpture would have endanger or disappointed the the investment of the hand made art industry. So delays were ploted and other interferances -

[[left margin]] 5 [[/left margin]]
I do wish to thank for assissting me at Leverkusen Factory "working experience" Mrs. Hete Hunermann and Hans Mayer from the Hans Mayer Denise Rene Gallery in Dusseldorf and also most specially,