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18.


In a way all those monstrously outsize landscape objects or projects remind me of antiquities of ancient civilizations spread in the vast American landscape "expressed" with contemporary mechanical means or let's put it this way, "reactionary approaches of art expression", Some recalling quotes of Shakespearean writing,' and other objects or sculpture projects which I would say are very"becoming" the "American refreshing waters", of the American and international art scene. Name, I WOULD LIVE OF SUCH ARTISTS AND OF THEIR "REACTIONARY" PROJECTS
WHAT I AM TRYING TO SAY IS THAT ART STUDIOS OF ARTISTS ARE TAPED AND "REACTIONARY" EXPERIENCES OF SUCH STUDIOS ARE DISTRIBUTED ELSEWHERE TO DIFFERENT ARTISTS "CREATIONS".

From a different point of view those vast sculpture projects in my opinion (with exceptions, of course) do not relate to the essence of American art. OR DO THEY? I am thinking of great American architecture with its contemporary temples that [[strikethrough]] define and leave a [[/strikethrough]] mark [[strikethrough]] on [[/strikethrough]] civilization. However, minimal approaches of sculpture projects do not necessarily convince me. To refer to two projects of mine [[strikethrough]] at [[/strikethrough]] THAT Berlin's Tegel Airport and Chicago, entitled "Birds" I feel in a way I have been deprived of my "Thema"  [[strikethrough]] of my work. [[/strikethrough]]
The strength of my work with its "Thema" of symbols of communication, letters, arrows, let's put it this way, with its popular American and international LAOGRAPHIC treasures and contemporary myths, all such symbols, combined, of course, with the energy of LIGHT itself could have been a "threat" to the American art scene, so I had to be thrown "out of everything", "my capacities as well, out in the streets internationally". 

I would liked to ask also your "happening makers" or mechanics and your"experiment-givers" if they would under such conditions as: "controlled", "deprived", "enclosed", "programmed", "conditioned by organized crime buffooneries", "brain washing", "illiteracy treatments", "Focus on concentration on"LIGHT"{1}, "buffooneries, OF possibly organized [[strikethrough]] crime...of [[/strikethrough]] drug abuse", "interferences by art research curators of New York museums", "taped or 'bugged' art studios", "mental deformations", "facial plastic surgery", "photographic effects", to mention in brief just a few of the negative experiences that I went through. I would like to ask if those named above such as the "happening-makers" would if exposed under those exact,

1) "Focus" on concentration on"LIGHT" was experienced as circulation of an article published by an educational magazine approximately in the mid-sixties. This and all the above experiences were destructive and negative to me. OTHER ARTICLES PUBLISHED ON MY WORK "WERE AS CIRCULATED NEGATIVELY - for much importance