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27. WHITE CAT AND YELLOW TULIPS,1922 30 x 20inches Collection Mrs. Franklin Chace
28. THE PLAYER, about 1924 40½ x 30½ inches Canajoharie Library and Art Gallery
29. SATURDAY NIGHT,1925 42 x 33¾ inches Estate of George Luks
30. MAHANOY CITY, 1925 50¾ x 60¼ inches Estate of George Luks
31. MRS. GAMELY,1930 67 x 48 inches Whitney Museum Of American Art 
32. WOMAN WITH BLACK CAT, about 1931 30¼ x 25¼ inches Corcoran Gallery of Art

  EVERETT SHINN, BORN 1876
33. EARLY MORNING, PARIS,1901 Pastel, 21 x 29⅛ inches Art Institute of Chicago
34. ALEXANDER BRIDGE, PARIS, 1902 Pastel, 22 x 29½ inches Museum Of Fine Art, Boston
35. THE HIPPODROME, LONDON, 1902 25½ x 34¼ inches Art Institute Of Chicago
36. MATINEE, PARIS MUSIC HALL, 1902 Pastel, 20 x 26 inches American British Art Center
37. BALLET GIRL ON PEDESTAL,1905 24 x 36inches Collection William R. Coe
38. THEATRE, 1906 24 x 18 inches Whitney Museum of American Art
39. KEITH'S-UNION SQUARE, about 1906 19¾ x 24⅛ inches Brooklyn Museum
40. LONDON MUSIC HALL, 1907 10 x 12 inches Metropolitan Museum of Art 
41. REVUE, 1908 24 x 18 inches Whitney Museum of American Art
42. SKATING, HOBOKEN, 1912 Pastel, 20 x 26 inches American British Art Center
43. SWING-WINTER GARDEN, NEW YORK, 1915 20 x 34 inches Collection Charles T Henry
44. CORNET PLAYER, NEW YORK, 1918 Pastel, 18 x 24 inches American British Art Center
45. 14TH JULY, PARIS-BASTILLE DAY, 1941 24 x 20 inches Lent by the artist
46. THEY SAY IT'S HAUNTED, 1941 21 x 30 inches Lent by the artist 
47. THE FLOWER MARKET Pastel, 14 x 22 inches Collection Mr. and Mrs. William L. Elkins

  JOHN SLOAN, BORN 1871
48. EAST ENTRANCE, CITY HALL , PHILADELPHIA, 1901 27 x 36 inches Lent by the artist
49. BOY WITH PICCOLO, 1904 27 x 22 inches Lent by the artist
50. DUST STORM, 1906 22 x 27 inches Metropolitan Museum of American Art
51. THE PICNIC GROUND, 1906 24 x 36inches Whitney Museum of American Art
52. WAKE OF THE FERRY, No.2, 1907 26 x 32inches Phillips Memorial Gallery
53. THE HAYMARKET, 1907 26 x 31⅞ inches Brooklyn Museum
54. HAIRDRESSER'S WINDOW, 1907 32 x 26 inches C.W. Kraushaar Art Galleries
55. THREE A.M., 1909 32 x 26 inches Collection Mrs. Cyrus McCormick
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56. CLOWN MAKING UP, 1909 32 X 26 inches Phillips Memorial Gallery
57. PIGEONS, 1910 26 x 32 inches Museum of Fine Arts, Boston
58. YEATS AT PETITPAS', 1910 26 X 32 inches Corcoran Gallery of Art
59. MCSORLEY'S BAR, 1912 26 x 32 inches Detroit Institute of Art
60. SUNDAY, GIRLS DRYING THEIR HAIR, 1912 26 x 32 inches Addison Gallery of American Art
61. BACKYARDS, GREENWICH VILLAGE, 1914 26 x 32 inches Whitney Museum of American Art
62. THE GLOUCESTER TROLLEY, 1916 26 x 32 inches Lent by the artist
63. THE CITY FROM GREENWICH VILLAGE, 1922 26 x 34 inches C.W. Kraushaar Art Galleries
64. TRAVELLING CARNIVAL, SANTA FÉ, 1924 26 x 32 inches Collection Mrs. Cyrus McCormick
65. THE WHITE WAY, 1926 30 x 32 inches Collection Mrs. Cyrus McCormick
66. CHAMA RUNNING RED, 1927 30 x 40 inches C.W. Kraushaar Art Galleries
67. SIXTH AVENUE AND THIRD STREET, 1928 30 x 40 inches Whitney Museum of American Art
68. ARACHNE, 1931 28 X 26 inches Philadelphia Museum of Art Given by Mr. and Mrs. R. Sturgis Ingersoll
69. MODEL IN DRESSING ROOM, 1933 36 x 30 inches Lent by the artist

                                        PRINTS

Only two of our four artist ever made any prints, and of the two, only one ever executed any sizable number. Glackens is represented by his complete oeuvre: nine prints, four of which, and rarest of all, were given to the Museum by A.E. Gallatin, and the balance lent by the C.W. Kraushaar Art Galleries. Seven are etching or drypoints, and two are lithographs, the charming Portrait of Ernest Lawson, existing in three proofs only, and the Invitation for the New Society Dinner (Mother and Child), made many years later. For John Sloan, on the other hand, etching and to a lesser extent, lithography, were a major vehicle of expression. From Dedham Castle of 1888, his first plate, to Fifth Avenue of 1941, his most recent, he has made 171 etchings and 10 lithographs, not counting the 53 etchings he made for Paul de Kock's novels and other early work. In this exhibition 100 etchings and 10 lithographs are shown, selected from the Museum's permanent collection or borrowed from the C.W. Kraushaar Art Gallery. They convincingly demonstrate that John Sloan is one of the most important and substantial print makers of our time, not only because of their content-vivid transcripts of life-but also by reason of the formal relations exhibited in the later works-the sense of color and plastic solidity.
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