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5

ARTICLES AND REVIEWS ON BARNETT NEWMAN

Greenberg, Clement. "American-Type Painting", Partisan Review, New York, vol. 22, No. 2, Spring 1955, pp. 179-196. Revised and reprinted in Clement Greenberg, Art and Culture, Boston, Beacon Press, 1961, pp. 208-229.

Goossen, Eugene C. "The Philosophic Line of Barnett Newman", Art News, New York, vol. 57, No. 4, Summer 1958, pp. 30-31.

"Picture of a Painter", Newsweek, New York, vol. LIII, No. 11, March 16, 1959, p. 58

Lanes, Jerrold. "Reflections on Post-Cubist Painting", Arts Magazine, New York, vol. 33, No. 8, May 1959, pp. 24-29

Rosenblum, Robert. "The Abstract Sublime", Art News, New York, vol. 59, No. 10, February 1961, pp. 38-41, 56-58.

Hess, Thomas B. "Willem de Kooning and Barnett Newman", Art News, New York, vol. 61, No. 8, December 1962, p. 12.

Kaprow, Allan. "Impurity", Art News, New York, vol. 61, No. 9, January 1963, pp. 30-33, 52-55.

Rosenberg Harold. "Barnett Newman: A Man of Controversy and Spiritual Grandeur", Vogue, New York, February 1, 1963, pp. 134-135, 163, 166. Reprinted in Harold Rosenberg, The Anxious Object, New York, Horizon Press, 1964, as "Barnett Newman, The Living Rectangle", pp. 169-174.

"Five Sculptors", Location, New York, vol. 1, No. 1, Spring 1963, pp. 81-89.

Greenberg, Clement. "Clement Greenberg's View of Art on the Prairies", Canadian Art, Ottawa, vol. XX, No. 2, March-April 1963, pp. 90-107.

Hunter, Sam. "Abstract Expressionism Then and Now", Canadian Art, Ottawa,  vol. XXI, No. 5, September-October 1964, pp. 266-269.

Kozloff, Max. "Art and the New York Avant Garde", Partisan Review, New Brunswick, New Jersey, vol. XXXI, No. 4, Fall 1964, pp. 535-554.

Fogg Art Museum, Harvard University, Cambridge, Massachusetts, April-May 1965, Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella. Introduction by Michael Fried.

Alloway, Lawrence. "Barnett Newman", Artforum, Los Angeles, vol. III, No. 9, June 1965, pp. 20-22.

O'Hara, Frank. "Art Chronicle", Kulchur No. 9, Spring 1963.

Armstrong, Richard. "The American Revolution", USA 1, May 1962, p. 46 (Revised and reprinted in Canadian Art September, October 1964 as "Abstract Expressionism was an American Revolution)