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2 "Washington Color Painters", Wash. Gallery of Modern Art, 1965-66 "Fifty States of Art", Rockford Art Association, Rockford, Illinois, 1965 (prize) Premio Nacional e Internacional, Instituto Torcuato Di Tella, Buenos Aires, 1964 Venice Biennale XXXII, U.S. Pavilion, 1964 Institute of Contemporary Arts, Washington, D.C, 1964 "The New Formalists", University of Michigan, Museum of Art, 1964 "Three New American Painters", Norman MacKenzie Art Gallery, Regina, Canada, 1963 Whitney Annual, New York, 1963 Art Institute of Chicago, 1963 28th Biennial of Contemporary American painting, The Corcoran Gallery of Art, Washington, D.C., 1963 "Art Since 1950, U.S.A", Seattle World's Fair, April - October, 1962 "Toward a New Abstraction", The Jewish Museum, New York, 1962 "Post Painterly Abstraction", Los Angeles County Museum of Art, traveling exhibition, Walker Art Center, Art Gallery of Toronto, 1964 "Art Since 1950, U.S.A", Brandeis University, November - December, 1962 "Abstract Expressionists & Imagists, The Solomon R. Guggenheim Museum, 1961 "New Talent Exhibition", Kootz Gallery, New York, (arranged by Clement Greenberg), 1954. Bibliography: Arts magazine, "Abstract Attraction", Jan. 1965, by Max Kozloff Studio International, by Dore Ashton, pp. 92, 93 February, 1965 Art International, "On Color in Kenneth Noland's Paintings", by Jane Harrison, Vol. IX/5, pp. 36-38, 1965 Art International, "New York Letter" by Don Judd, Vol. IX/3, p. 74, 1965 Three American Painters, Fogg Museum Catalogue by Michael Fried, pp. 24 - 32, 1965 Time magazine, "Peacock Duo", January 8, 1965 Arts Yearbook 8, New York: The Art World, New York, pp. 16, 39, 70, 1964 Art International, Vol. VIII/5-6, Kenneth Noland by Barbara Rose, also full reproduction in color, pp. 58-61 Metro International Directory of Contemporary Art, Milan, pp. 270, 271, 1964 The New York Times, by Stuart Preston, March 18, 1961 Arts, In the Galleries, September 1963 Toward a New Abstraction catalogue, "Kenneth Noland" by Alan Solomon The Jewish Museum, New York, 1963 Art International, Louis and Noland by Clement Greenberg, May, 1960 Newsweek, "Art", May 15, 1961 also "Hitting the Bullseye", April 16, 1962, p. 198 Washington Post, "Art Arid D.C. Harbors Touted 'New' Painters, Dec.
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