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"Washington Color Painters", Wash. Gallery of Modern Art, 1965-66
"Fifty States of Art", Rockford Art Association, Rockford, Illinois, 1965 (prize)
Premio Nacional e Internacional, Instituto Torcuato Di Tella, Buenos Aires, 1964
Venice Biennale XXXII, U.S. Pavilion, 1964
Institute of Contemporary Arts, Washington, D.C, 1964
"The New Formalists", University of Michigan, Museum of Art, 1964
"Three New American Painters", Norman MacKenzie Art Gallery, Regina, Canada, 1963
Whitney Annual, New York, 1963
Art Institute of Chicago, 1963
28th Biennial of Contemporary American painting, The Corcoran Gallery of Art, Washington, D.C., 1963
"Art Since 1950, U.S.A", Seattle World's Fair, April - October, 1962
"Toward a New Abstraction", The Jewish Museum, New York, 1962
"Post Painterly Abstraction", Los Angeles County Museum of Art, traveling exhibition, Walker Art Center, Art Gallery of Toronto, 1964
"Art Since 1950, U.S.A", Brandeis University, November - December, 1962
"Abstract Expressionists & Imagists, The Solomon R. Guggenheim Museum, 1961
"New Talent Exhibition", Kootz Gallery, New York, (arranged by Clement Greenberg), 1954.

Bibliography:

Arts magazine, "Abstract Attraction", Jan. 1965, by Max Kozloff
Studio International, by Dore Ashton, pp. 92, 93 February, 1965
Art International, "On Color in Kenneth Noland's Paintings", by Jane Harrison, Vol. IX/5, pp. 36-38, 1965
Art International, "New York Letter" by Don Judd, Vol. IX/3, p. 74, 1965
Three American Painters, Fogg Museum Catalogue by Michael Fried, pp. 24 - 32, 1965
Time magazine, "Peacock Duo", January 8, 1965
Arts Yearbook 8, New York: The Art World, New York, pp. 16, 39, 70, 1964
Art International, Vol. VIII/5-6, Kenneth Noland by Barbara Rose, also full reproduction in color, pp. 58-61
Metro International Directory of Contemporary Art, Milan, pp. 270, 271, 1964
The New York Times, by Stuart Preston, March 18, 1961
Arts, In the Galleries, September 1963
Toward a New Abstraction catalogue, "Kenneth Noland" by Alan Solomon
The Jewish Museum, New York, 1963
Art International, Louis and Noland by Clement Greenberg, May, 1960
Newsweek, "Art", May 15, 1961 also "Hitting the Bullseye", April 16, 1962, p. 198
Washington Post, "Art Arid D.C. Harbors Touted 'New' Painters, Dec.

Transcription Notes:
Looks good!!!!