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KENNETH NOLAND

Born 1924, Asheville, North Carolina

Studied Black Mountain College, North Carolina 1946-48, and with Ossip Zadkine in Paris 1948-49. Taught at the Institute of Contemporary Art, Washington D.C., and at Catholic University, Washington, D.C. Teaches at Bennington College and lives in South Shaftsbury, Vt.

Exhibitions

Kenneth Noland, The Jewish Museum, New York, 1964. Catalogue with foreword by Hans van Weeren-Griek and essay by Michael Fried.

The Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Carnegie Institute, Pittsburgh, 1964-65, 1967

A Selection of Paintings and Sculptures from the Collections of Mr. and Mrs. Robert Rowan, University of California, Irvine; San Francisco Museum of Art, San Francisco, 1967

Form, Color, Image, The Detroit Institute of Arts, Detroit, 1967. Catalogue with essay by Gene Baro

American Painting Now, U.S. Pavilion, EXPO '67, Montreal, 1967

International Biennial, Tokyo and other cities in Japan. 1967 (Sponsored by Mainichi Newspapers)

The Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, D.C., 1959, 1963, 1967 award

Two Decades of American Painting, circulated by The Museum of Modern Art, New York to The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Lalit Kala Academy, New Delhi; National Gallery of Victoria, Melbourne; The Art Gallery of New South Wales, Sydney; 1967. Catalogue with essays by Irving Sandler, Lucy Lippard and G.R. Swenson.

Vormen van de Kleur (Shapes of Color) Stedelijk Museum, Amsterdam, 1966-67. Catalogue with essay by W.A.L. Beeren. Formen der Farbe, Wuerttembergischer Kunstverein, Stuttgart, 1967. Catalogue with essay by Dieter Honisch; Kunsthalle, Bern, 1967. Catalogue with essay by H.S.

The First Flint Invitational, Flint, 1966

Art of the United States: 1670-1966, The Whitney Museum of American Art, New York, 1966.

Systemic Painting, The Solomon R. Guggenheim Museum, New York, 1966. Catalogue with essay by Lawrence Alloway

The Washington Color Painters, Washington Gallery of Modern Art, Washington, D.C.; University Art Galleries, Austin; University of California Art Gallery, Santa Barbara; Rose Art Museum, Brandeis University, Waltham; Walker Art Center, Minneapolis, 1965-66 Catalogue with essay by Gerald Nordland

The Responsive Eye, The Museum of Modern Art, New York; City Art Museum of St. Louis, St. Louis; Seattle Art Museum, Seattle; Pasadena Art Museum, Pasadena; Baltimore Museum of Art, Baltimore, 1965. Cataloge with essay by William Seitz

Three American Painters: Noland, Olitski, Stella, Fogg Art Museum, Cambridge; Pasadena Art Museum, Pasadena, 1965. Catalogue with essay by Michael Fried

Painting and Sculpture of a Decade: 54-64, organized by the Caloust Gulbenkian Foundation, The Tate Gallery, London, 1964. Catalogue with unsigned essay.

XXXII Biennale di Venezia: Four Germinal Painters, Venice, 1964. Catalogue with essay by Alan R. Solomon

Post Painterly Abstraction, The Los Angeles County Museum of Art, Los Angeles; Walker Art Center, Minneapolis; The Art Gallery of Toronto, Toronto, 1964. Catalogue with introduction by Clement Greenberg, reprinted in Art International, Vol. VII/5-6, Summer 1964, pp. 63-65.

Premio Nacional e Internacional, Instituto Torcuato di Tella, Buenos Aires, 1964. (awarded International di Tella Prize). Catalogue with essays by Clement Greenberg, Pierre Restany and Jorg Romero Brest.

Three New American Painters: Louis, Noland, Olitski, Norman MacKenzie Art Gallery, Regina, 1963. Catalogue

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