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with essay by Clement Greenberg, reprinted in Canadian Art, No. 20, May 1963, pp. 172-175

Toward a New Abstraction, The Jewish Museum, New York, 1963. Catalogue introduction by Ben Heller, text on Noland by Alan R. Solomon.

Andre Emmerich Gallery, New York, 1961, 1962, 1963, 1964, 1966, 1967

Selected Bibliography

LAWRENCE ALLOWAY, "Background to Systemic," Art News, Vol. 65, No. 6, October 1966, pp. 30-33.

- "Easel Painting at the Guggenheim," Art International, Vol V, No. 10, December 1961, pp. 26-34

DORE ASHTON, "Visual Pleasure from Austerity," Studio International, Vol. 169, No. 862, February 1965, pp. 92, 93

- "New York Commentary: Conditioned Historic Reactions," Studio International, Vol. 171, No. 877, May, 1966, p. 206

GENE BARO, "Washington and Detroit," Studio International, Vol. 174, No. 891, July/August 1967, pp. 49-51

- "The Venice Biennale," Arts, Vol. 38, No. 10, September 1964, pp. 32-37

- "London Letter," Art International, Vol. IX, No. 5, June 1965, pp. 67-70

AL BLOEDEL, "The Sky-Flavored Popsicle," Art News, Vol. 66, No. 7, November 1967, pp. 42, 43, ff.

GERALD FINDLEY, "Louis, Noland, Olitski," Vol. I, No. 9, March 1963, pp. 34, 35

MICHAEL FRIED, "Ronald Davis: Surface & Illusion," Artforum, Vol. V, No. 8, April 1967, pp. 37-41

- "Shape as Form: Frank Stella," Artforum, Vol. 5, No. 3, November 1966, pp. 39, 40 

- "The Confounding of Confusion: New York Now," Arts Yearbook VII, New York, 1961, pp. 36-45

- "New York Letter," Art International, Vol. V, No. 3, January 1963, pp. 16-25

E.C. GOOSEN, "Distillation," Artforum, Vol. V, No. 3, January 1963, pp. 16-25

CLEMENT GREENBERG, "After Abstract Expressionism," Art International, Vol. VI, No. 8, October 25, 1962, pp. 24-32

- "Louis and Noland," Art International, Vol. IV, No. 5, May 1960, pp. 26-29. Reprinted as introduction to exhibition catalogues: Gallerie dell'Ariete, Milan, 1960; Galerie Schmela, Dusseldorf, 1962; Galerie Mueller, Stuttgart, 1962 (excerpts); Kasmin Gallery, London 1963 (excerpts)

HENRY GELDZAHLER, "Recent American Painting," Cimaise, No. 69-70, July/October 1964, pp. 42-47

JANE HARRISON, "Kenneth Noland: New Painting," Artforum, November 1967

- "On Color in Kenneth Noland's Painting," Art International, Vol. IX, No. 5, June 1965, pp. 36-38 

ANDREW HUDSON, "Washington: An 'American Solon' of 1967" Art International, Vol. XI, No. 4, April 1967, pp. 73-79

- "Kenneth Noland: Sarah's Reach-A Mixture of Stillness and Movement, of Austerity," Potemac, The Washington Post, Sunday May 8, 1966

- "Letter from Washington," Art International, Vol. IX, No. 9-10, December 1965

MAX KOZLOFF, "Abstract Attrition," Arts, Vol. 39, No. 4, January 1865, pp. 46-50

LUCY LIPPARD, "New York Letter: Off Color," Art International, Vol. X, No. 4, April 1966, pp. 73-75

- "New York Letter," Art International, Vol. IX, No. 1, February 1965, pp. 34-35

Newsweek, "Art: Unawed by New York," May 15, 1961 

- "Art: Hitting the Bull's Eye," April 16, 1962

- "Art: Vanity Fair-The New York Art Scene," January 4, 1965

- "Art: Op-Adventure without Danger," March 1, 1965

BARBARA ROSE, "The Second Generation: Academy and Breakthrough," Artforum, Vol. IV, No. 1, September 1965, pp. 53-59

- "ABC Art," Art in America, Vol. 53, No. 5, October-November, 1965, pp. 57-69

- "Kenneth Noland," Art International, Vol. VII, No. 5-6, Summer 1964, pp. 58-61 

Time, "Art: Peacock Duo," January 8, 1965