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certain time they all looked - I think they all looked north. One looked east, one looked south and one looked east so that they made a triangle.

UM: Uhhuh. Or take Huebler for example, relating everything he sees to the rectangular frame of the photo. I have fooled around taking shots of every derogatory, disparate objects, throwaway objects, sometime I'll have to show it to you - it's very exciting.

LL: [[strikethrough]] Meyer (?) [[/strikethrough]] [[?]] did some things like that which were very interesting....

UM: He was the one who did the heaps of things, wasn't he?

LL: No, that was Baxter who did piles. He did a portfolio of piles two or three years ago. [[/strikethrough]]

UM: [[strikethrough]] Uhuh, uhhuh. Now tell me, [[/strikethrough]] What [[strikethrough]] is your thinking, Luey, [[/strikethrough]] do you think about the way [[strikethrough]] the journalists [[/strikethrough]], the art journal[[strikethrough]]ists[[/strikethrough]] have been pertaining [[strikethrough]] (?) [[/strikethrough]] to the new art?

LL: Well, [[strikethrough]] vaguely [[/strikethrough]] frankly, until very recently they [[strikethrough]] practically [[/strikethrough]] haven't "pertained" to it at all [[strikethrough]], so far [[/strikethrough]].

[[strikethrough]]
UM: I thought there was some real indignation in some of the journals when it came to ephemeral art. 

LL: Well of course now they're finally embracing [[strikethrough]] ? at [[/strikethrough]] it. Two years ago you couldn't get anyone to even listen to you about running anything about that kind of thing because they didn't take it seriously. Now they've realized that it has to be taken seriously, and they're beginning to try to come to terms with it, I guess. But [[/strikethrough]]

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