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[[strikethrough]] Judd [[/strikethrough]] 

(4)

[[strikethrough]] Judd's [[strikethrough]] [[illegible]] [[/strikethrough]] art [[strikethrough]] indicates [[/strikethrough]] a radical concept of infinity, an infinity without visable [[illegible]]. [[/strikethrough]] Space in Judd's [[strikethrough]] work [[/strikethrough]] art seems to belong to an order of increasing hardness, not unlike geological formations. He has [[strikethrough]] do [[/strikethrough]] put space down, [[strikethrough]] so to [[illegible]] [[/strikethrough]] in the form of deposits, such deposits come [[strikethrough]] [[illegible]] [[/strikethrough]] from his mind [[crossed out]] rather than nature. [[strikethrough]] instead of bringing Christ down from the cross, the way the painting of the Renaissance, Baroque and mannerist periods did in their many regions of the Deposition Judd has thought space down into an abstract world of mineral forms.

[[strikthrough]] [[illegible]] in his art there is no confusion between the anthropomorphic and the abstract mind, the way there is in "abstract-expressionism" action-painting". [[/strike through]] His art doesn't dissipate into [[strike through]] meaningless organic [[/strike through]] tortured rivers of action,