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UNTITLED (continued)

Thoughts of the brain. In the inorganic matrix of the mind, blindness takes place. A thorough analysis of the geometrical problem of this object would be useless. Sight is an inefficient habit, a necessity that leads to specific unrealities and blunt adjustments. The mobile eye looks from a fixed point, and sees an oblique set of conditions, that offer no precise location. The object forms a conjunction with the eye---a horde of thoghts stop what ever seems necessary. The aperature of the eye is forgotten. Lines of fixation 
are converged on the different points of the object. A general enervation weakes the specific attention span. Infinite
melacholy results. There sees to be a cure inthis specific failure of vision. A second goes by without any experiences of the object. The brain is troubled by this lapse. Other
thoughts flood one's perception. Obfuscations prevent any direct motive from emerging from the block encodement. Super-infinites give way to sub-infinities, or the abominable infinities. Sequences of lost ideas, eminate from discrete sources---a string of incompletely understood phenomena, lacking the 
common thermal, mechanical, electrical, magnetic, and chemical promise---fade. Form for form nothing is seen. Zero sight
on the horizon-line is repeated over and over almost exactly. Successive negatives and positives follow the entropy. For Judd subjectivity becomes the guarantee of objectivity, because it is something more than a mere correlation of objectivity. Indifference to realism and idealism is evident in this "phenomenology of perception". The conciousness is invaded by intuitions of abandonment. The mind reconstructs "a sight"
that "looks" at another sight, while deminishing any [[strikethrough]]infinite [[/strikethrough]]idea. The infinite of what is not, may be seen as the nullity of what is. Unlike Newton and Schopenhauer this "time structure" is not uniform, but disjointed. Muliform progressions toward the infinite avoid the dimensions of vile space. Judd obscures rather than emphasizes watever slight logical unity his drawing may have had. His drawing is a line of thought rather tan a unit of thoughts. It has no accessible meaning to the senses. It is a numerical vicissitude without any logical coherence. It does not dilight in the evocation