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Connie, Rose Slivka's text (a most personal recounting of her ring side seat to the CRAFT'S development) and Mary Jane Jacob's text about eclecticism and cross-overs, cause me to conclude that I may be deluding myself (since years), and have developed a myopic vision of [[strikethrough]] our [[/strikethrough]] the FIELD. self centered ALL ARTISTS ARE AND MUST BE

I ask myself what is the field in which I think I [[strikethrough]]opera[[/strikethrough]] operate and function [[strikethrough]] in [[/strikethrough]]?

I ask myself, how do I fit into history and the development of the material culture of the second half of the 20th century

ART
TEXTILE
ART IN ARCHITECTURE (ORNAMENTATION or DECORATION)
DESIGN (MASS PRODUCTION TEXTILE)
COMMUNICATION (PUBLISHING LECTURING WRITING)

[[stamp]] NEW ADDRESS [[/stamp]]

[[embedded typed text]] Max Protetch 560 Broadway New York 10012 [[/embedded typed text]]

Each person must be asking the same questions and endeavoring to gain perspective. 

[[strikethrough]] ? [[/strikethrough]] Connie, use your special and experimented, articulate, vantage point [[strikethrough]]would you[[/strikethrough]] and take an hour and write me a paragraph or two analyzing where I fit into the mosaic [[strikethrough]]p[[/strikethrough]] as you see it. Lucy Lippard quotes me (from the Barbaralee Diamondstein [[Diamonstein]] book). I never met Lucy but have followed her since [[strikethrough]] the [[/strikethrough]] her monograph on Eva Hesse.

[[strikethrough]] [[illegible words]] [[/strikethrough]]

Let's rake the fallen leaves together and look at the furrows in the ground. 

[[strikethrough]] I would construct which to hang my laundry. [[/strikethtrough]] [[strikethrough]] Where do you agree and disagree [[/strikethrough]] ?

Help me to relook --

[[stamp]] NEW ADDRESS [[/stamp]]
Max Protetch 560 Broadway New York 10012