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JUNE 25-29; JULY 2-6, 2014
LOG SHEET #5
SMITHSONIAN FOLKLIFE FESTIVAL 
AUDIO/VIDEO LOG SHEET

LOGGER/VIDEOGRAPHER: STEVE LORENZ
MEMORY CARD-TASCAM: #8
FILE NAME: KARIBU-181.wav
MEMORY CARD NUMBER-ZOOM H2: 
FILE NAME: STE-002
PRESENTER: AGHAN ODERO AGAN
& PHYLLIS WRESSEL 
DATE/TIME: 6/28/14 4:20
PROGRAM: KENYA
STAGE: KARI BUM
GROUP NAME:(ONST) KENYAN ADORNMONT 
REGION/STYLE: KHANGAS AS EARLY TEXT MOSSAGINO 

[[2 columned table]]
| PERFORMER(S) | INSTRUMENT/OCCUPATION |
| --- | --- |
|[[strikethrough]] ? [[/strikethrough]] |
| MOHAMED HUSSION ABDUCKADER KADERDINA - TEXTILE WORKER |
| ABDULIAMID MUNEEB KADERDINA - TOYTILS WORKER|
| AGNOS LUNKAT TOYA| MODEL|
| [[strikethrough]] ESTHER [[/strikethrough]] CAROLINE TOYA | MODEL |

CONTENTS/NOTES (continue on back):
1. USE OF KHANDAS IN A COMMUNITY/VIOLLO FOR COMMUNICATION
2. "LESSO"- PORTUGOUSOS FOR HEAD SCARF
3. KHANGA AS TEXT DOCUMENT/SOCIAL MARKER  
4. HISTORY OF KHANGA MAKERS 
5. DISCUSSION OF SPECIFIC DESIGNS/OUTFITS AS
6. CODING MEMORIUM
7. KHANGA AS PERSONALIZED GIFT 
8. 
- DISCUSSION MALES WINNING KHANDA ONLY IN BEDROOM
- KHANGA AS DAILY PART OF LIFE SINCE BIRTH
- KHANGA AS FORM OF CURRENCY/CASH RESERVE
- KHANGA AS SPACE FOR FREEDOM OF EXPRESSION/"MISCHIVIOUSNESS"

Transcription Notes:
incomplete