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JUNE 25-29; JULY 2-6, 2014 LOG SHEET #5 SMITHSONIAN FOLKLIFE FESTIVAL AUDIO/VIDEO LOG SHEET LOGGER/VIDEOGRAPHER: STEVE LORENZ MEMORY CARD-TASCAM: #8 FILE NAME: KARIBU-181.wav MEMORY CARD NUMBER-ZOOM H2: FILE NAME: STE-002 PRESENTER: AGHAN ODERO AGAN & PHYLLIS WRESSEL DATE/TIME: 6/28/14 4:20 PROGRAM: KENYA STAGE: KARI BUM GROUP NAME:(ONST) KENYAN ADORNMONT REGION/STYLE: KHANGAS AS EARLY TEXT MOSSAGINO [[2 columned table]] | PERFORMER(S) | INSTRUMENT/OCCUPATION | | --- | --- | |[[strikethrough]] ? [[/strikethrough]] | | MOHAMED HUSSION ABDUCKADER KADERDINA - TEXTILE WORKER | | ABDULIAMID MUNEEB KADERDINA - TOYTILS WORKER| | AGNOS LUNKAT TOYA| MODEL| | [[strikethrough]] ESTHER [[/strikethrough]] CAROLINE TOYA | MODEL | CONTENTS/NOTES (continue on back): 1. USE OF KHANDAS IN A COMMUNITY/VIOLLO FOR COMMUNICATION 2. "LESSO"- PORTUGOUSOS FOR HEAD SCARF 3. KHANGA AS TEXT DOCUMENT/SOCIAL MARKER 4. HISTORY OF KHANGA MAKERS 5. DISCUSSION OF SPECIFIC DESIGNS/OUTFITS AS 6. CODING MEMORIUM 7. KHANGA AS PERSONALIZED GIFT 8. - DISCUSSION MALES WINNING KHANDA ONLY IN BEDROOM - KHANGA AS DAILY PART OF LIFE SINCE BIRTH - KHANGA AS FORM OF CURRENCY/CASH RESERVE - KHANGA AS SPACE FOR FREEDOM OF EXPRESSION/"MISCHIVIOUSNESS"
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