Viewing page 6 of 20
It looks like you're using a mobile device. We recommend using a physical keyboard for transcription entry.
or I would gladly do much more. Still do not let him suffer but appropriate as much of my funds over as you think his circumstances require. in the course of a few months I shall have more money with Greene & Co when I can be more liberal & now having disposed of business a word or two as to my locality & engagements. In my last letter I told you I intended passing the Summer if possible in Venice. Fortune favoring me in commissions I left Rome Early with the [[plan?]] of painting them & also making a few Studies for myself taking the mountain route as you will learn by a letter I wrote Alx a few days since. Being fortunate in a companion we had a delightful time with an abundance of agreeable & amusing incident to remember with pleasure now the toils & difficulties of such travel are over.- Of all the minor circumstances of the trip I hope to hold many a converse with you when we meet in Italy. Suffice it here that after a jolly month we found ourselves domesticated in Venice on Palazzo Quarini on the Grand Canal next door to the academy. where we immediately commenced copying. when I wrote you from Rome I was anxious for you to meet us here that we might study together & then proceed to Rome again in the Autumn. but it seems the fates have been against. I will however still hope to meet you in the Eternal City in the course of a few months. My friend Severus is here & Mr Lang the Artist with whom I came on & myself occupy the first floor of the Palace & as we take our meals at home we have a merry life of it. So often I have wished the [[addition]] of your worthy self to the party. Knowing how much you [[would?]] enjoy a residence in Venice Situated as we are 2 other [[American?]] Artists Mr Terry + Mr Kellogg are likewise spending
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact firstname.lastname@example.org.