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[[underlined]] Smillie Jas. D., N.A., [[/underlined]] New York, N.Y.
A dry-print plate, with a series of progressive proofs, and the tools used. 3115-22

[[underlined]] Farrer, Henry, [[/underlined]] Brooklyn, N.Y.
A soft-ground plate, with drawing, progressive proofs, and the pencil etc. used.
3220-25

[[underlined]] Bruff, Goldsborough, [[/underlined]] Estate of, Washington, D.C.
One lithograph, one mezzotint, one plumbeotype. 3252-54

[[underlined]] Cunningham, Roger, [[/underlined]] Kansas City, Mo.
Plates, tools, impressions, etc., illustrating the Wax Process. 3255-67

[[underlined]] Greey, Mrs. E. M., [[/underlined]] New York, N.Y.
Four sets of Japanese stencils. 3269-72

[[underlined]] Dougal, Wm., U., [[/underlined]] Washington, D.C.
A dry-ground aquatint plate, with proofs. 3426

[[strikethrough underlined]] Bought for Cash [[/strikethrough underlined]]
Flannel printing dabber; burnishes used for taking hand-proofs from woodengravings.   2967, 2968.

Transcription Notes:
the et[[?]] is probably etc., but doesn't look like it, not sure It is etc, using the ampersand after the et for the "cetera" instead of the "c". In some usage the "et" was dropped and only the ampersand remained and in others the ampersand was dropped and replaced with the "c", leaving the "etc" usage as most common, but it all means the same thing.--thomasc