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^[[15-18]]  
[[strikethrough]] entire article may be viewed as a variation on that much misused remark; or as a monstruous'museum' constructed out of multi-faceted surfaces that refer, not to one subject but to many subjects within a single building or words -- a brick = a word, a sentence = a room, a paragraph = a floor of rooms, etc. Or [[underlined]] language becomes an infinite museum, whose center is everywhere and whose limits are nowhere [[/underlined]]." [[/strikethrough]]

[[left margin]] Note for art-forum? [[/left margin]] De France, James, "Some New Los Angeles Artists: Barry Le Va", Artforum, March 1968. ^[[Rep,]] 

Straight, ^[[No.1,]] School of Visual Arts, New York, April 1968: edited by Joseph Kosuth [[strikethrough]] with [[/strikethrough]] ("Editorial in 27 Parts") with text on rock music by Dan Graham.

Bochner, Mel, "A compilation for Robert Mangold", [[underlined]] Art International, [[/underlined]] April, 1968.  Entire article consists of a series of quotations from other artists and writers that apply to Mangold's work.

April 27, Paris:  Daniel Buren's "Proposition Didactique" presented inside the Salon de Mai (^[[green and white]] striped floor to ceiling, two walls) and outside (two men with striped sandwich boards for one full day, and striped billboards found in over 200 locations around the city).  See [[underlined]] Robho [[/underlined]] No.4, 1968 for an account.

"Eye liners and some leaves from Barry Flanagan's Notebook", [[underlined]] art and Artist, [[/underlined]] April 1968.

[[strikethrough]] April 10, 1968:  [[strikethrough]] Haacke [[/strikethrough]] letter to J ^[[ack]] Burnham ^[[from Hans Haacke:]]  "The murder of Martin Luther King pressed into focus something that I had known for a long time but never realized so bitterly and and helplessly -- namely, what we are doing: the production and the talk about sculpture has nothing to do with the urgent problems of our society.  Whoever believes that art can make life more humane is utterly naive.  Mondrian was one of those naive saints....Nothing, but absolutely nothing, is changed by whatever type of painting, or sculpture, or happening you produce.  All the shows of Angry Arts will not prevent a single Napalm bomb from being dropped.  We must face the fact that art is unsuited as a political tool." [[/strikethrough]]

Hutchinson, Peter, "Preception of Illusion: Object and Environment", [[underlined]] Arts, [[/underlined]] April 1968.

[[left margin]] * [[/left margin]] 
Morris, Robert, "Anti-^[[e]]form", [[underlined]] Artforum, [[/underlined]] April 1968.  "The process of 'making itself' has hardly been examined....Of the Abstract Expressionists only Pollock was able to recover process and hold on to it as

^[[31]]