Viewing page 21 of 47
It looks like you're using a mobile device. We recommend using a physical keyboard for transcription entry.
[[advertisement]] New Benson & Hedges 100's Lights Only 11 mg tar [[image: two packs of Benson & Hedges cigarettes]] Who could make light of themselves better? 11 mg."tar", 0.8 mg. nicotine av. Per cigarette, by FTC method. [[Box]] Warning: The Surgeon General Has Determined That Cigarette Smoking Is Dangerous to Your Health. [[/Box]] [[/advertisement]] [[end page]] [[start page]] [[double line]] THE BOOTH THEATRE A Shubert Organization Theatre Gerald Schoenfeld, Chairman Bernard B. Jacobs, President [[line]] JOSEPH PAPP and WOODY KING, JR. present FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF by NTOZAKE SHANGE Arranged and Directed by OZ SCOTT with LAURIE CARLOS RISË COLLINS SHARITA HUNT LEONA JOHNSON ROBBIE MCCAULEY SAUNDRA MCPHERSON ROXANNE REESE Scenery by MING CHO LEE Lighting by JENNIFER TIPTON Costumes by JUDY DEARING Choreography by PAULA MOSS Music for "I Found God in Myself" by DIANA WHARTON Associate Producer BERNARD GERSTEN A NEW YORK SHAKESPEARE FESTIVAL PRODUCTION in association with THE HENRY STREET SETTLEMENT'S NEW FEDERAL THEATRE ORIGINAL CAST ALBUM ON BUDDHA RECORDS AND TAPES The New York Shakespeare Festival is a member of the League of New York Theatres and Producers, Inc. The Festival expresses its appreciation to Theatre Development Fund for its support of this production. [[line]] [[advertisement]] [[image - drawing of "Beefeater" character from Beefeater Gin packaging]] [[image - drawing of bottle of Beefeater's gin.]] BEEFEATER The Gin of England. IMPORTED FROM ENGLAND BY KOBRAND, N.Y., N.Y. 94 PROOF, 100% NEUTRAL SPIRITS [[/advertisement]] 11.14
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact email@example.com.