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110 Total Pages 32 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Sandoz, Marc, 1961

Letters with art historians and art critics from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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36% Complete

124 Total Pages 24 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Sandoz, Marc, 1962

Letters with art historians and art critics from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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41% Complete

87 Total Pages 13 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Sandoz, Marc, 1963

Letters with art historians and art critics from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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29% Complete

67 Total Pages 23 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Sandoz, Marc, 1964

Letters with art historians and art critics from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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24% Complete

121 Total Pages 24 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Sandoz, Marc, 1965-1966

Letters with art historians and art critics from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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9% Complete

96 Total Pages 10 Contributing Members

Jacques Seligmann & Co. records, General Correspondence: Sandoz, Marc, 1967-1974

Letters with art historians and art critics from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world's foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.

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20% Complete

620 Total Pages 53 Contributing Members

Wiener Farbenkabinet - Manual on Preparation of Colors, 1794

One of only four known copies in the United States, this early manual on the preparation of colors contains 2,592 hand-colored natural dye specimens, along with details on how to apply them to silk, cotton, wool, leather, wood, bone, paper, and many other materials. Published in 1794 by Johann Ferdinand Ritter von Schönfeld, this manual reveals an extraordinary system of calibrated, named and numerated colors. This multi-volume guidebook is a valuable resource for conservators and anyone interested in color materials, techniques and applications. Printed in German Blackletter typeface Fraktur dating to the early sixteenth century, it is not machine-readable and requires transcription. A key provided in the page linked here will assist transcribers in identifying the appropriate Roman alphabet letters. To explore the fully digitized collection, visit here. The Smithsonian Institution Libraries digitally sponsored this book. To find out more information about this book and many others please visit the Smithsonian Institute Research Information System.

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