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Beautifully illustrated French manuscript on artillery
Signed by the Chevalier de Cirfontaine, this lavishly illustrated French manuscript provides detailed explanations alongside finely-colored drawings of French artillery and military machines. The Chevalier de Cirfontaine was likely Amour-Constant de Germay Cirfontaine, an officer in France’s 6e battalion de Royal-Artillerie, regiment Auxonne, created in 1757 under King Louis XV. A treat for the eyes if not for the enemy, this rewarding project already has researchers eager to see transcription results!
Horses and Grooms Crossing a River
In this short handscroll, artist Zhao Mengfu depicts three grooms and fifteen horses in various postures crossing a river. By combining the colorful realism of the Tang dynasty (618-907) with the ink line drawing of the Northern Song dynasty (960-1127) literati tradition, Zhao Mengfu established a new direction for his fellow painters during the transitional years of the late thirteenth century. While the painting does not exhibit the superb skill and fluency of the artist's genuine works, it is probably a close copy of an original composition by Zhao and may have been executed by one of his more accomplished followers. Help make this beautiful handscroll more accessible for researchers around the world by transcribing the Chinese characters. Please note: Freer Sackler staff are ONLY asking for the transcription of the text this collection, so please transcribe using the corresponding Chinese characters (you will need a basic knowledge of Chinese and access to a Chinese language keyboard for this). You do not need to transcribe the red stamped seals. Translation and transliteration are also not needed, and staff have requested that images not be described. Please reach out with any questions.
Jacques Seligmann & Co. records, General Correspondence: Miscellaneous P: Pra-Pre, 1924-1968
Letters with miscellaneous correspondents from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world’s foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.
Jacques Seligmann & Co. records, General Correspondence: Miscellaneous P: Pri-Pro, 1925-1959
Letters with miscellaneous correspondents from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world’s foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.
Jacques Seligmann & Co. records, General Correspondence: Miscellaneous P: Pru-Pyn, 1924-1977
Letters with miscellaneous correspondents from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world’s foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.
Jacques Seligmann & Co. records, General Correspondence: Miscellaneous Q, 1923-1957
Letters with miscellaneous correspondents from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world’s foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.
Jacques Seligmann & Co. records, General Correspondence: Miscellaneous R: R-Ra, 1925-1977
Letters with miscellaneous correspondents from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world’s foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.
Jacques Seligmann & Co. records, General Correspondence: Miscellaneous R: Re, 1924-1976
Letters with miscellaneous correspondents from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world’s foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.
Jacques Seligmann & Co. records, General Correspondence: Miscellaneous R: Rh-Ric, 1923-1972
Letters with miscellaneous correspondents from the General Correspondence subseries of the Jacques Seligmann & Co. records. The Jacques Seligmann & Co. records in the Archives of American Art are among the world’s foremost resources for provenance research. The collection documents the business dealings of international art galleries which were active for nearly a century, and contains invaluable information for tracing the provenance of works of art which passed through the Jacques Seligmann & Company holdings.
Yamada Diary
Help us transcribe this WWII Japanese diary. At the end of World War II, an unknown United States Marine brought home several Japanese-language items. These items were subsequently sold and the purchaser's son later donated them to the National Air and Space Museum. In 2003 and 2004, Museum volunteers, Mr. Koji Hayama and Mr. Tom Momiyama, translated parts of the material and they believe that they were created by a Mr. Yamada, who was probably part of an aircraft ground crew with occasional flight duties, and served in Manchuria, Korea, Burma, and the Philippines. Transcriptions of this diary will help National Air and Space Museum curators as they begin research for new exhibits. Please note that this diary is written in Japanese, and requires access to a Japanese keyboard, and basic knowledge of the language, for transcription. NASM staff are also interested in any translations that can be provided of the diary's contents. Please separate any translations by including them below the transcriptions for each page, and by indicating the translation with brackets. For example: [[translation]] text here [[/translation]]. Please reach out with any questions.
