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Genthe, Arnold | [[underlined]] Portrait of Oscar Bluemner [[underlined]] | Photograph on paper

Grosz, George | Untitled | Pen and Ink

Guston, Phillip | [[underlined]] Inscapes:Words and Images [[underlined]] | Serigraph

Hirschfeld | [[underlined]] Portrait of Elsa de Brun [[underlined]] | Pen and ink

Hopkins, Bud | [[underlined]] Homage to Leger [[underlined]] | Oil on canvas

Isham, Sheila | [[underlined]] November 1979 [[underlined]] | Acrylic on canvas

Kline, Franz | [[underlined]] Circus Scene [[underlined]] | Watercolor on paper

Lam, Wilfredo | [underlined]] Seated Woman/La Donna Seduta [[underlined]] | Oil on canvas

Lever, Richard | [[underlined]] Around the Harbor, Winter, [[Underlined]] | Oil on Canvas
[[Blank]] | [[underlined]] St Ives [[underlined]] | [[blank]]

Lovet-Lorski, Boris | [[underlined]] Winged Sphinx [[underlined]] | Egyptian granite

McGowin, Ed | untitled | Vacumn formed plastic

Natkin, Robert | [[underlined]] Color Bath Series:The Beloved [[underlined]] | Acrylic on canvas

Naylor, Geoffrey | untitled  | Stainless steel

Piene, Otto | [[underlined]] Centerbeam [[underlined]] | Lithograph

Reisman, Phillip | five preparatory sketches | [[blank]]
[[blank]] | for two paintings in the | [[blank]]
[[blank]] | HMSG collection | [[blank]]

Roberts, Elinor | [[underlined]] Darkness and Light [[underlined]] | Pen and ink on paperboard

Segal George | [[underlined]] Girl on a Chair [[underlined]] | Wood, plaster and 
[[blank]] | [[blank]] | polyurethane paint

Shannon, Joseph | [[underlined]] Hyattsville Suspension [[underlined]] | Acrylic on canvas 
  
Soyer, Moses | [[underlined]] Self-Portrait [[underlined]] | Lithograph on paper

Soyer, Raphael | [[underlined]] Portrait of David Burliuk [[underlined]] | Oil on canvas

Steiglitz, Alfred | [[underlined]] Portrait of Oscar Bluemner [[underlined]] | Platinum print
[[blank]] | [[blank]] | photograph on paper


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Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact transcribe@si.edu.