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Nicol, Erskine, R. S. A., A. R. A.; 1825-1904, British
61.  On the Lookout (20x15)[[line]] - 60

Pasini, Albert; 1826-1899, Italian
73.  The Court on a Journey (25½x19¾) - 290

Sargent, John Singer, N. A., R. A.; 1856-[[blank for year]], American
78.  Barges at San Vigilio, Lake of Garda, Italy (22x28¼) - 3600

Termeulen, François, Pieter; 1843-[[blank for year]], Dutch
88.  Shepherdess and Sheep (25x22½) - 110

Thaulow, Fritz; 1847-1906, Norwegian
71.  The River Arques (24x29) - 600

Tyler, James Gale; 1855-[[blank for year]], American
66.  A Ten-Knot Clip (22x30) - 200
70. Sunday in Port (24x20) - 60

Vedder, Elihu, N. A.; 1836-1923, American
76.  The Soul in Bondage (35¾x24¾) - 225

Wiegand, Gustave; 1870-[[blank for year]], American
25.  Landscape (11½x16) - 55

Ziem, Felix; 1821-1911, French
 37.  The Port (13½x18½) - 140
 53.  The Felucca (18x20½) - 650


Bakst, Leon; 1866-1925, Russian
42.  Felicita (water color, 19x13) - 110

Conder, Charles; 1868-1909, British
24.  Souvenir de Seville; (design for fan water color on silk, 7½x15¼) - 120


REEVE - Paintings together with American antiques, the collection of the late Frank H. Reeve, of Camden, N. J., with additions from other sources.  Sold for $11,366.00; Anderson Galleries, January 8, 1925.

Obermyer, H.: XVIII Century
103.  Portrait for Major André (wax miniature, d. 6 1.4) - $60

Rouse, G.
104.  Portrait of General George Washington (wax 12½x11½) - 250

96.  Portrait of George Washington (Staffordshire ware, h. 8) - 160


WOODWARD - Paintings, sculpture, prints together with early American glass and furniture, the collection of the late Robert Woodward, of Philadelphia, Pa. Sold for $26,187.00; American Art Association, January 21, 1925.


76.  American Packet Ship St. John (24x36) - $120
79.  American Packet Ship Caravan (23x36) - 110
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact