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Transcription: [00:06:39]
{SPEAKER name="Michael Asher"}
And the pink stuff
[00:06:42]
{SPEAKER name="Jan Butterfield"}
Mmhmm
[00:06:43]
{SPEAKER name="Michael Asher"}
And it's all the fiberglass
[00:06:47]
{SPEAKER name="Michael Asher"}
And then you just have the final course is that stuff that looks is practically transparent.
[00:06:55]
{SPEAKER name="Jan Butterfield"}
Oh but this is existing
[00:06:58]
{SPEAKER name="Michael Asher"}
No, no no
[00:06:59]
{SPEAKER name="Jan Butterfield"}
This is what you put in
[00:07:01]
{SPEAKER name="Michael Asher"}
No, I put all those walls in
[00:07:02]
{SPEAKER name="Jan Butterfield"}
Geez, you're smart
[00:07:03]
{SPEAKER name="Michael Asher"}
Yeah, I put all the walls in. So this had 3. This is constructed that way
[00:07:07]
{SPEAKER name="Jan Butterfield"}
I thought you were saying [[inaudible]]
[00:07:11]
{SPEAKER name="Michael Asher"}
No.
[00:07:13]
{SPEAKER name="Michael Asher"}
This construction is the same way. And this construction, this construction is the same way.
[00:07:19]
{SPEAKER name="Michael Asher"}
And, like I say, all these walls. Uh, the path, the beams in which they sat
[00:07:27]
{SPEAKER name="Michael Asher"}
Were isolated, or the studs were isolated from the rest of the building with, with rubber
[00:07:35]
{SPEAKER name="Michael Asher"}
So the fact that you weren't getting subsonic sounds, normally you were getting, you were just getting, you were just getting
[00:07:43]
{SPEAKER name="Jan Butterfield"}
Oh, that's interesting
[00:07:44]
{SPEAKER name="Michael Asher"}
You're just getting, it's total absorption
[00:07:46]
{SPEAKER name="Jan Butterfield"}
See, I don't even know to know that
[00:07:48]
{SPEAKER name="Michael Asher"}
It's--
[00:07:49]
{SPEAKER name="Jan Butterfield"}
I don't even know what subsonic sound is, but you see, I understand especially in New York.
[00:07:52]
{SPEAKER name="Michael Asher"}
Yeah, well
[00:07:54]
{SPEAKER name="Jan Butterfield"}
That doesn't mean I know about it.
[00:07:55]
{SPEAKER name="Michael Asher"}
There is there's a simple reason
[00:07:57]
{SPEAKER name="Jan Butterfield"}
You get that rumbling.
[00:07:58]
{SPEAKER name="Michael Asher"}
Yeah there's a simple reason, that, um
[00:08:01]
{SPEAKER name="Michael Asher"}
The train goes underneath
[00:08:07]
{SPEAKER name="Michael Asher"}
Yeah. So and basically, basically people are touching or walking on this, in this other area anyway so they might
[00:08:16]
{SPEAKER name="Michael Asher"}
Any sort of rattling of the walls or hitting of them might also cause reverberance which I didn't want.
[00:08:25]
{SPEAKER name="Jan Butterfield"}
Now, were you-- did you feel you were successful in getting rid of all that external sound or did you work especially to do
[00:08:33]
{SPEAKER name="Michael Asher"}
I didn't want to. On this axis here at all.
[00:08:39]
{SPEAKER name="Michael Asher"}
All I wanted to do was on this axis here. So where it was most dense, it had to be most dense at this part and that part
[00:08:49]