Viewing page 28 of 29


[[underlined]] Private Collections [[/underlined]]
Mrs Robert Benjamin
Mrs Kenyon Boocock
Mrs. Patricia Sneed
Mr. & Mrs. Lawrence Alloway
Mrs. Duncan Phillips
Mrs. Ethel Schwabacher
Mrs. Ruth Stephan Franklin
Mrs. Elayne H. Varian
Mark Rudkin
Mrs. Ruth Vollmer
Mrs. Sargent McKean
Ellsworth Kelly
Kenzo Okada
Mr & Mrs. Burton Tremaine
Dale McConathy
Mrs. Ad Reinhardt
Mr. & Mrs. Joseph H. Hirshhorn
Hedda Sterne
Soloman B. Smith
Stanley Posthorn
Samuel Miller
Dr. Lee Hall
Mrs. R. Wolcott Hooker
Jasper Johns
Mr. & Mrs. Herbert Vogel
Mrs. Barnett Newman
Mrs. Paul Mellon
Carter Brown
Abe Sachs
Mrs. Kay Ordway
Samuel Miller
Mr. & Mrs. Louis Hardin
Ms. Priscilla Peck
Alexander Liberman
Alfonso Ossorio
Saul Steinberg
Jack Youngerman
Ellsworth Kelly
Joel Grey
Alfred Daniels
Mrs Irma Selz Engelhardt

[[underlined]] Public Collections [[/underlined]]
Rockefeller Institute 
Montclair Art Museum
Carnegie Institute
National Collection of Fine Arts
Whitney Museum
Ciba-Geigy Coll. of Contemporary Paintings
Mortimer Brandt Gallery

[[underlined]] Interviews & Discussions [[/underlined]]
Interview over WNYC, 10/16/51
" " " [[dittos for Interview over WNYC]], 10/5/54, "Art Festival Program" with Calvert Coggeshall
Panel Discussion over WNYC, 10/31/52, "Betty Parsons Gallery"
Interview on C.B.S.-TV with Mike Wallace, spring 1973
Radio Interview, Kinshasa, Zaire, with John Canaday, fall 1973
Panel Discussion at [[underlined]] Focus [[/underlined]] in Phila., 5/1/74 "Women as Tastemakers"
Interview over WNYC, 4/17/75
" " [[dittos for Interview over]] WBAI, 9/75 with John Perreault
B. Parsons presents award at Skohegan School of Painting & Sculpture Annual Awards Dinner, 4/30/74, Plaza Hotel
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact