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SMITHSONIAN INSTITUTION 1596 Bequest and assigned to the Swope Art Gallery, Terre Haute, Indiana. An oil, and fifteen watercolors by William Henry Holmes, together with a watercolor by Kenneth C. Holmes, offered by Anna Bartsch Dunn, Washington, D. C. Chestnut Trees in Bloom (oil)| Field of Blossoms Field of Vari-colored Grasses | In Holland Flowery Meadow | Royal Oak Field of Wheat in Shock | Windmills Field of Jim Pie Weed | Michigan The Babbling Brook | Cherry Blossoms The Open Sea | Blossoms A Maryland Dirt Road | On the Sunset Hill Vase with Flower by Kenneth C. Holmes A portfolio of 92 original sketches executed under the Works Project Administration Program accepted for their historical significance. Offered as a transfer from General Services Administration through the Internal Revenue Service. These were represented by eight examples: The Railroad Came to Town, by Saul Berman (1899- ). Preliminary Study for Mural, Trinity, Texas, Post Office, by Jerry Bywaters (1906- ). Buffalo Hunt, by Woodrow Crumbo. Deer, by Woodrow Crumbo. Tung Oil Industry, by Xavier Gonzales (1896- ). Arrival of Colonel John Donaldson, by F. Luis Mora (1874- ). Design for Mural for Post Office at Rockport, Massachusetts, by William Lester Stevens, A. N. A. (1888- ). Fruit Packing, by Undetermined Artist. A portfolio of 71 watercolors by Cass Gilbert (1859-1934). Offered by Mrs. Walter A. Bastedo, New Canaan, Connecticut. Represented by five examples: Old House in Rouen On the Canal, Bruges Aqueduct Battle Abbey The Zwinger and Towers- Dresden Nine miniatures purchased with prior Executive Committee approval from the Catherine Walden Myer Fund: No. 129. Self Portrait by John Wesley Jarvis (1780-1839). Acquired from Mrs. Helen Moffat Langdon, Alexandria, Virginia. No. 140. Ebenezer Williams (1796- ), attributed to Rembrandt Peale (1778-1860). No. 141. Mrs. Ebenezer Williams, née Martha Porter (1774- ), attributed to Rembrandt Peale (1778-1860). Nos. 140 and 141 acquired from Lt. Col. W. C. Williams, Arlington, Virginia through Miss Vera Fisher. No. 142. Unknown Gentleman by Peregrine F. Cooper. No. 143. Unknown Gentleman by Undetermined Artist. Nos. 142 and 143 acquired from Dorsey Griffith, New Market, Maryland. No. 144. Unknown Lady by A. G. Rose. No. 145. Unknown Gentleman by A. G. Rose. Nos. 144 and 145 acquired from James Anton, Washington, D. C. No. 146. Unknown Gentleman, attributed to Edward Greene Malbone (1777-1807). No. 147. J. G. E., by Rudolph Huber (1770- ). Nos. 146