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Transcription: [00:00:24]
[[Body Talk by The Deele playing]]

[00:01:27]
[[Body Talk by The Deele slowing and speeding up]]

[00:01:34]
{SPEAKER name="Speaker 1"}
That's two casual records. In the beginning, it was a little offbeat. Now Im'ma show you another style.
[00:01:41]
A disco record with a casual record.
{SILENCE}
[00:01:49]
{SPEAKER name="Speaker 2"}
One of the problems we constantly have with blending out here at the festival is that we're moving the turn tables and the turn tables are assembling back and forth between the main stage.
[00:02:00]
to the workshop stage and back to the other.
[00:02:02]
Turn tables weren't really made for all that much movement in a day's time.
[00:02:07]
Since we're trying to set them up here, moving them down here,
[00:02:10]
then taking them back them up there later in the day.
[00:02:13]
It's often a little harder around the workshops stage to get them calibrated just right where they'll work with each other .
[00:02:18]
A real important part of blending is something we are invariably asked in the question and answer sessions is
[00:02:24]
how is it that you can match the beats of two completely different records?