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6.
criticism, it has served to create a strong bond between us. For we realize that basically our interests are the same: To further American art and help the artist who produces it. We came through the crucial period in 1949 completely to co-relate our work with all those in the art world since we feel that is the best way to achieve a cohesive art consciousness.

 To further elucidate, Equity aims at constructing a bridge of good will in all fields where the artist's economic welfare is concerned. That is with dealers, museums, collectors, public, press, etc. This open door policy has made possible communication where none had existed before . As a result of seeking new avenues of approach to our problems, I believe that our relations for the first time with museums, dealers, etc. are on a more friendly and sympathetic basis which will lead to a better understanding as we work together and learn to trust and respect each other. All that Equity has undertaken is like discovering a new continent. it has to be explored, museured, cleared of trees and weeds to make a new path of approach. It can't be done at once.

 One of the stumbling blocks in trying to increase membership is the question of dues. I know from the past history of artists to pay. However, when considering our operations are on a national scale, with the responsibility of office rent and staff, keeping our entire membership and chapters constantly informed and the various other expenditure involved in maintaining our activities, the 12 dues does not begin to cover our expenses. Our accountant reports that on mailings alone, it costs Equity $10 per member.