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[[Top Margin; in blue pen]]
Review of show at Pundole 1970
15

[[Main Text]]

PAGE SIX * THE FREE PRESS BULLETIN
Dynamic graphics
[[left-hand side; a photograph of Zarina Hashmi captioned "Zarina - Unforgettable graphics"]]

Curiously two artist having their one-man exhibitions this one-man born in the same year, 1937. They happen to be Zarina at Pundole Art Gallery (till 26th) and V. D. Agashe ay the Taj Art Gallery (till 23rd). Both are intense and dynamic in their approach and perhaps, to some extent at least could be accepted as typifying their age group among the contemporary Indian artist. Here their commonness ends. Their technique and media are entirely different.
Zarina is a graphic artist (so far as her current collection is concerned) mainly interested in a play of triangles, rectangles, squares of black against a white
to Zarina's attempt at extending her 'conceptions' into the third dimension as in her 'objects' which could also adorn any sideboard or side tables in a modern decor.
Zarina's exhibition also incidentally reveals the peculiar fascination black and white has as against all colours of a rainbow, so to say. Thus, perhaps, why the black and white film (well photographed) holds its own even today despite the ever increasing production of the most brilliant technicolour extravaganzas (current striking example: Anubhav).
One jarring note in Zarina's collection: one wishes she had paid sufficient attention to the mounting and framing of her prints. They leave much to desire. At times, such minute details mean much to the finish. 
Agashe's abstracts have a basis of the realistic as amply evinced in his titles. He would appear to