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Mile-High Series, 2000 Rear video-projection on vellum of views from the ninety-first floor Various durations, silent 8 x 10 inches each Brooklyn Bridge Sunset, 2000 Video projection 7:30 minutes, silent Real-time recording of the Brooklyn Bridge at sunset Born 1936 in Buenos Aires, Argentina Lives in New York, N.Y. Education Escuela Nacional, Bueno Aires, Argentina Selected Solo Exhibitions 1999 Paintings in Real Time, Lehman College Art Gallery, N.Y. 1998 Zocalo, Museum of Modern Art, Buenos Aires, Argentina 1991 Forces/Farces, Exit Art, New York, N.Y. Selected Group Exhibitions 2003 View from Above, Deep Listening Center, Kingston, N.Y. 1997 Legacy/Legado, The Old State House, Hartford, Conn. 1995 Twenty-fifth Anniversary Exhibition, Part III: Reaffirming Spirituality, El Museo del Barrio, New York, N.Y. 1994 Recordando el Futuro, ICI de Buenos Aires, Argentina 1992 Americas, Monasterio de Santa Clara, Moguer, Spain During my residency I worked on the ninety-first floor regularly. I started very early in the morning, around 6:00 A.M., and videotaped the views from my assigned space. These views contained the night mist of the pre-awakened city. I came back later on in the afternoon and recorded the sunset. I was interested in capturing, in real time, the passing of time from this "mile-high" perspective. My experience videotaping the New York landscape before and after rush hour made a significant impact on my work. When I look at the videos now, it is not a "past time" but a real time con verted into mist and dust. The events of 9/11 have dramatically altered the context and meaning of my project. The landscapes I videotaped now exist in our collective memory and are full of anger, sadness and a range of other complex emotions.
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